Discussion:
[SlimDevices: Audiophiles] Intona USB thing
foxesden
2017-02-03 22:57:08 UTC
Permalink
I have a Pi-Pico player hooked into and April Music DAC and a Squeezebox
Touch running via an Audio GD Digital interface into and old (i.e. not
NOS) Audio Note Dac 3 Signature.

I was originally going to sell the Audio Note Dac but just can't do it.


Anyway I sometimes do A/B comparisons either through my main amp or a
headphone amp by syncing the 2. If I need to do a DBT I level match and
then get my son to switch sources. I can tell the difference between the
Touch Analogue (noisy) vs a cheap NOS dac (less noisy) but not really
between the other 2.

Having this setup I have been able to check whether different cables etc
make a difference - I can only spot the really bad ones.

So context set. I was reading about USB re-clockers etc and the
consensus on the web seems to be that the Intona makes a difference.
This product is not marketed as an Audio device but for medical /
industrial purposes. The fact that the company recommends using the
cheaper one for audio made me think it was worth a try.

So I got the device today. And tried it in the April Music chain. A/B
check (I know not perfect) it may have widened the sound-stage, but I
doubt if I could reliably tell a difference.

Switched it around and put in the chain SB Touch -> Intona -> Audio-GD
-> Audio Note and BAM. The volume has gone up massively.

Any ideas why this might be? I had level matched before putting the
thing in the chain and it must be 10 db louder - I mean it hurt.


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arnyk
2017-02-04 05:55:27 UTC
Permalink
foxesden wrote:
> I have a Pi-Pico player hooked into and April Music DAC and a Squeezebox
> Touch running via an Audio GD Digital interface into and old (i.e. not
> NOS) Audio Note Dac 3 Signature.
>
> I was originally going to sell the Audio Note Dac but just can't do it.
>
>
> Anyway I sometimes do A/B comparisons either through my main amp or a
> headphone amp by syncing the 2. If I need to do a DBT I level match and
> then get my son to switch sources. I can tell the difference between the
> Touch Analogue (noisy) vs a cheap NOS dac (less noisy) but not really
> between the other 2.
>
> Having this setup I have been able to check whether different cables etc
> make a difference - I can only spot the really bad ones.
>
> So context set. I was reading about USB re-clockers etc and the
> consensus on the web seems to be that the Intona makes a difference.
> This product is not marketed as an Audio device but for medical /
> industrial purposes. The fact that the company recommends using the
> cheaper one for audio made me think it was worth a try.
>
> So I got the device today. And tried it in the April Music chain. A/B
> check (I know not perfect) it may have widened the sound-stage, but I
> doubt if I could reliably tell a difference.
>
> Switched it around and put in the chain SB Touch -> Intona -> Audio-GD
> -> Audio Note and BAM. The volume has gone up massively.
>
> Any ideas why this might be? I had level matched before putting the
> thing in the chain and it must be 10 db louder - I mean it hurt.

You seem badly confused about level matching. You do it AFTER you put
the components under test into the test system.

The fact that one component is louder than another is simply the nature
of things, and it is why we do level matching.

You also seem confused about proper testing. It appears that what you
are doing is a Single Blind test, and those have been known to be hihgly
prone to being rediculously invalid since the early 1800s, and the fact
that they proved the existence of horses that could decode complex spken
commands and do aritmetic in their heads. Search on "Clever Hans"


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Mnyb
2017-02-04 07:27:17 UTC
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Well some Audio Note DAC's may not actually be transparent some of thier
design desicions are "unortodox".
So it migth always stand out .

But it's cool that anyone owning AN products trying .



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Julf
2017-02-04 08:29:11 UTC
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foxesden wrote:
> Switched it around and put in the chain SB Touch -> Intona -> Audio-GD
> -> Audio Note and BAM. The volume has gone up massively.
>
> Any ideas why this might be? I had level matched before putting the
> thing in the chain and it must be 10 db louder - I mean it hurt.

That sounds really odd - The intona product is an isolator, it doesn't
change the data going through it at all.



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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foxesden
2017-02-04 20:31:15 UTC
Permalink
Thanks for the replies

Julf - Exactly I am trying to fathom out why a regen device would be
causing this effect. I had some notion that the touch outputs 24 bits vs
16 bit sources and this padding is being "corrected" by the intona maybe
volume maxed. The A/N DAC is 20 bit so it may be affected, but I am no
expert hence the question.

ArnyK
re level matching. My point around this is that I level matched the
control April Music Dac vs the audio note dac before changing anything.
I then added in the Intona device to the Audio Note chain where-upon the
devices were no longer level matched. Not even close; I think it was
also clipping so I reverted and sure enough the level dropped. I would
have rechecked the levels if I was going to do an AB or DBT test, but
thought I might damage some kit or worse my ears. I really wasn't
expecting to hear any difference despite the multitude of rave reviews
so this result was quite a shock.

MyNB - the audio note Dac is an old one with a conventional filter
albeit with a valve/tube output stage. So quite conventional by A/N
standards.

I know some of you guys have strong opinions on valves, however I just
think they are amplification devices and can be done well or badly, I
like them for cosmetic reasons. The reason why I bought the A/N was
because it was the best that I auditioned back in 98 and I got it ex
demo for 50% discount. At that time, I auditioned a bucket load of DACs
and this is the only one in my price range that imaged well and didn't
draw attention to itself. I bought the April Music DAC to replace the
Audio Note and a valve headphone amp as it was more compact, they sound
almost identical.

I haven't bought any kit for 3 years so I am just scratching an itch to
see if I can squeeze anything more out of the digital chain by further
over-engineering it.

To be honest I am not expecting much/anything. I found early on that
replacing the crap freeby cables that came with gear in the 80s did make
a difference, so assumed that paying more will make it better. However
in the last 20 years where I thought I have heard a difference it has
either been: Placebo, a dodgey product e.g. picking up RFI, or me mixing
the L/R connectors.


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arnyk
2017-02-05 03:34:34 UTC
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foxesden wrote:
> Thanks for the replies
>
>
> ArnyK
> re level matching. My point around this is that I level matched the
> control April Music Dac vs the audio note dac before changing anything.
> I then added in the Intona device to the Audio Note chain where-upon the
> devices were no longer level matched. Not even close; I think it was
> also clipping so I reverted and sure enough the level dropped. I would
> have rechecked the levels if I was going to do an AB or DBT test, but
> thought I might damage some kit or worse my ears. I really wasn't
> expecting to hear any difference despite the multitude of rave reviews
> so this result was quite a shock.
>
>

Level matchhing is not all that is required for a proper test. It has to
be double blind and there has to be time synchronizing of the music
being listened to.

Read here for more details about DBTs
https://hydrogenaud.io/index.php/topic,16295.0.html


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arnyk
2017-02-05 03:36:08 UTC
Permalink
Level matching is not all that is required for a proper test. It has to
be double blind and there has to be time synchronizing of the music
being listened to.

Please read here for more details about DBTs
https://hydrogenaud.io/index.php/topic,16295.0.html


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foxesden
2017-02-05 11:31:20 UTC
Permalink
Agreed, and it is easy to do on the squeezebox platform as all you need
to do is synchronize 2 or more players into an amp with a source switch
and have someone switching them who doesn't know which source is which.

As I have mentioned I generally only do this last part if I think I can
hear a difference sighted and I can't find a reason for it.

In the end any testing that I do is to satisfy my curiosity, once I get
bored with it I stop and just enjoy the music.

So no opinions on why a USB isolator may be altering the signal in such
a way? I am getting the impression that no one believes me. Ho hum.


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Julf
2017-02-05 13:20:17 UTC
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foxesden wrote:
> So no opinions on why a USB isolator may be altering the signal in such
> a way? I am getting the impression that no one believes me. Ho hum.

It's not that we don't believe you, but at least I am at loss to explain
how it could alter the data in any way - any interference with the
actual data would make it unusable for the purposes it was designed for.
Can you try the isolator between, say, a PC and a memory stick?



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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arnyk
2017-02-05 15:37:39 UTC
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foxesden wrote:
> Agreed, and it is easy to do on the squeezebox platform as all you need
> to do is synchronize 2 or more players into an amp with a source switch
> and have someone switching them who doesn't know which source is which.
>
> As I have mentioned I generally only do this last part if I think I can
> hear a difference sighted and I can't find a reason for it.
>
> In the end any testing that I do is to satisfy my curiosity, once I get
> bored with it I stop and just enjoy the music.
>
> So no opinions on why a USB isolator may be altering the signal in such
> a way? I am getting the impression that no one believes me. Ho hum.

Since you seem to have said that you aren't all that serious about this,
why should I go any further?

The book answer is Placebo Effect. Ever hear of it?

Have you read Archimalgo's Blog with relevant technical tests?


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Julf
2017-02-05 17:56:24 UTC
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arnyk wrote:
> The book answer is Placebo Effect.

Yes, the placebo effect is powerful, but in this case the OP is talking
about a 10 dB difference in volume.



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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foxesden
2017-02-05 21:00:29 UTC
Permalink
Julf thanks for the suggestion regarding seeing if files get copied via
the device. Just tried and the Intona seems to allow files to be copied
and read to a usb device without issue.

ArnyK - Thanks for taking the time to post.


I have also dropped a note to the manufacturer to see if anyone else has
come across this - if they come back with anything interesting I will
post it.


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arnyk
2017-02-06 03:19:08 UTC
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Julf wrote:
> Yes, the placebo effect is powerful, but in this case the OP is talking
> about a 10 dB difference in volume.

Not necessarily so. The 10 dN number appears to be a subjective estimate
and neither a calculation nor a measurement.

There is no way that a reclocking device can affect audio by levels of
even a tenth of a dB if the sound is reasonably intelligible before and
after its insertion.

That means that the 10 dB estimate has as its most likely cause the
Placebo Effect.


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foxesden
2017-02-08 20:53:22 UTC
Permalink
the 10db figure is an estimate, subjectively 2 times louder. In terms of
the preamp volume I had to turn the volume down by 1/4 of the dial to
level match again after plugging in the intona device. So I am
comfortable ruling out Placebo. If you disagree and still think I am
self delusional, that's fine with me - but your further contribution to
this thread would be illogical.

The change that I made was 1 USB printer cable replaced by 1 new short
cable + 1 intona device + 1 new short cable, no audiophile cables were
used in this test. Anyway this is the reply that I got from the
manufacturer

"
the data itself will not be modified by the isolator. This is proven by
the checksum mechanism.
The only thing that I can think of is that some control packets (e.g.
gain information) are missing, resulting from a lousy connection.
There are very often issues using "audiophile" USB cables along with the
isolator, having "intentionally" broken screens or similar. Thus being
defective from normative view.
In case of that: please check again using standard, "printer grade"
cables (even no ferrites, ideally wearing "USB certified" logo).
This is a sensitive point in the isolator because it breaks the shield
by definition - another break by a "defective" cable leads to a higher
transmission error rate.
"

I will retry as the manufacturer proposed - but this will not be for a
few days.


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arnyk
2017-02-08 21:19:30 UTC
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foxesden wrote:
> the 10db figure is an estimate, subjectively 2 times louder. In terms of
> the preamp volume I had to turn the volume down by 1/4 of the dial to
> level match again after plugging in the intona device. So I am
> comfortable ruling out Placebo. If you disagree and still think I am
> self delusional, that's fine with me - but your further contribution to
> this thread would be illogical.
>

Wrong. You don't have a measurement of the perceived level change, and
so it can be dismised as being just a perception and not a fact. The
change can't happen for a reason that you seem to know. but apparently
don't know how to apply.

>
> The change that I made was 1 USB printer cable replaced by 1 new short
> cable + 1 intona device + 1 new short cable, no audiophile cables were
> used in this test. Anyway this is the reply that I got from the
> manufacturer
>
> "
> the data itself will not be modified by the isolator. This is proven by
> the checksum mechanism.
> The only thing that I can think of is that some control packets (e.g.
> gain information) are missing, resulting from a lousy connection.
>

Not true, for the same reason as already given. At the point where any
such gain data is checksummed, it is streamed with the audio data. You
obviously have no clue as to the details of USB data transmission. Tha
may help:

http://www.beyondlogic.org/usbnutshell/usb3.shtml

>
> There are very often issues using "audiophile" USB cables along with the
> isolator, having "intentionally" broken screens or similar.
>

I don't believe that, again for the reason you gave. Anything that
breaks any part of a digital data stream can and probably will break any
other part of it. There are some exceptions to that rule such as
strings of repeated 0 bits and strings of repeated zero bits, but those
are removed from the data stream as it is encoded. So, we are left with
that nasty truism: Anything that breaks any part of a digital data
stream can and probably will break any other part of it.

>
> Thus being defective from normative view.
> In case of that: please check again using standard, "printer grade"
> cables (even no ferrites, ideally wearing "USB certified" logo).
> This is a sensitive point in the isolator because it breaks the shield
> by definition - another break by a "defective" cable leads to a higher
> transmission error rate.
> "
>
> I will retry as the manufacturer proposed - but this will not be for a
> few days.

The vendor is talking out of his butt.

Please repeat after me: Anything that breaks any part of a digital data
stream can and probably will break any other part of it.


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foxesden
2017-02-08 22:45:16 UTC
Permalink
May I humbly suggest that you review this and other responses that you
have made on this forum and then consider how they may appear to other
people?


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Julf
2017-02-09 07:36:50 UTC
Permalink
foxesden wrote:
> May I humbly suggest that you review this and other responses that you
> have made on this forum and then consider how they may appear to other
> people?

Arny has a somewhat aggressive style of communication. Nevertheless he
is right about the answer from the isolator manufacturer being pure BS -
there is no way that a data transmission error would affect only the
gain information and nothing else.



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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arnyk
2017-02-13 12:27:18 UTC
Permalink
foxesden wrote:
> May I humbly suggest that you review this and other responses that you
> have made on this forum and then consider how they may appear to other
> people?

I know a veiled personal attack when I see one, and so do others. I've
tried to help you and your response is to insult and humiliate me in
public. How does that make you look?

BTW you should know that the findings of science are not determined by
popularity contests. Furthermore you are trying to make it look like you
speak for everybody, when in fact you can only speak for yourself.


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ho_kuku
2017-04-29 07:42:14 UTC
Permalink
I did experienced the same thing - but with IFI Audio IUSB
Volume became louder - at the same time improved separation. The noise
floor also was greatly reduced.
It just goes to show how "noisy" USB audio is - and those noise have a
negative impact on sound.
Clearing the noise out greatly have a positive impact on sound.

The IFI product was a 1) reclocker, 2) usb power regenerator etc


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Julf
2017-04-29 08:38:56 UTC
Permalink
ho_kuku wrote:
> I did experienced the same thing - but with IFI Audio IUSB
> Volume became louder - at the same time improved separation. The noise
> floor also was greatly reduced.
> It just goes to show how "noisy" USB audio is - and those noise have a
> negative impact on sound.
> Clearing the noise out greatly have a positive impact on sound.
>
> The IFI product was a 1) reclocker, 2) usb power regenerator etc

It would be great if you could record the output with and without the
IUSB, and post the sound files here...



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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arnyk
2017-04-29 12:01:07 UTC
Permalink
ho_kuku wrote:
> I did experienced the same thing - but with IFI Audio IUSB
> Volume became louder - at the same time improved separation. The noise
> floor also was greatly reduced.
> It just goes to show how "noisy" USB audio is - and those noise have a
> negative impact on sound.
> Clearing the noise out greatly have a positive impact on sound.
>
> The IFI product was a 1) reclocker, 2) usb power regenerator etc

(3) Snake oil, and the subjective impression that it changed the audio
at all is

(a) Technically impossible

(b) Just another example of why all audiophile sighted evaluations are
useless and misleading.

One more time - here is how life works:

Audio data encoded digitally is sacrosanct. It either is what it is, or
it is nothing at all, or at least temporarily interrupted. It can be
screwed up audibly during the transition back to analog, but unless your
USB hardware is utter crap, reclocking and power regeneration can't
change it in any audible way but break it if they are broken.


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Archimago
2017-04-30 02:08:53 UTC
Permalink
ho_kuku wrote:
> I did experienced the same thing - but with IFI Audio IUSB
> Volume became louder - at the same time improved separation. The noise
> floor also was greatly reduced.
> It just goes to show how "noisy" USB audio is - and those noise have a
> negative impact on sound.
> Clearing the noise out greatly have a positive impact on sound.
>
> The IFI product was a 1) reclocker, 2) usb power regenerator etc

Hmmmm. As others say, this is really not possible.

I fear to ask just how noisy your DAC is! Over the years of
measurements, I have never seen noise all that significant over a USB
interface unless something went wrong like picking up ground loop hum
and stuff like that. If anything, they tend to measure better than other
digital interfaces.

Just have a look at the Oppo BDP-105 results I put up recently comparing
USB, HDMI, Coaxial, TosLink:
'http://archimago.blogspot.com/2017/04/measurements-oppo-bdp-105-rca-xlr-hdmi.html'
(http://archimago.blogspot.ca/2017/04/measurements-oppo-bdp-105-rca-xlr-hdmi.html)

If you do find some evidence for what I believe is one of many myths in
the audiophile world, I'd love to see it!



Archimago's Musings: (archimago.blogspot.com) A 'more objective'
audiophile blog.
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ralphpnj
2017-04-30 13:56:49 UTC
Permalink
Archimago wrote:
> If you do find some evidence for what I believe is one of many myths in
> the audiophile world, I'd love to see it!

What you chose to call a "myth" I chose to call a very carefully planned
and targeted marketing campaign. Once one removes the real myth that
states that the high end audio magazines produce editorial content that
free of influence from the advertisers then one will begin to see just
how these "myths" (aka marketing campaigns) work. It's really rather
simple: manufacturer (aka advertiser) produces an item that does
absolutely nothing and yet the item receives rave reviews in all the
high end audio magazines. And so a myth is born.

Archimago I know full well that you despise this behavior but I can't
but feeling that your very polite responses to these myths is like
bringing a knife to a gun fight. The behavior of almost the entire high
end industry, from manufactures to reviewers to salespeople, is
despicable and needs to be treated not with respect but with scorn.



Living Rm: Transporter-SimAudio pre/power amps-Vandersteen 3A Sign. &
sub
Home Theater: Touch-Marantz HTR-Energy Veritas 2.1 & Linn sub
Computer Rm: Touch-Headroom Desktop w/DAC-Aragon amp-Energy Veritas 2.1
& Energy sub
Bedroom: Touch-HR Desktop w/DAC-Audio Refinement amp-Energy Veritas 2.0
Guest Rm: Duet-Sony soundbar
Garage: SB3-JVC compact system
Controls: iPeng; SB Controller; Moose & Muso
Server: LMS 7.9 on dedicated windows 10 computer w/2 Drobos
'Last.fm' (http://www.last.fm/user/jazzfann/)
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Mnyb
2017-04-30 14:22:39 UTC
Permalink
I think archimago does it even better :) he have carefully measured and
presented real evidence on his site.

That works really well with the part of the pupolation that have not yet
got "audiophilia" .

The calm matter of fact manner helps convince the much bigger audience
that not yet afflicted.
The true believers are in most cases lost , they die off slowly ( the
prices in high end indicates that this is a factor ).
The more effective work is convincing people to not join the cult in the
first place .

A fun an educational site does this work more effectively than something
else .

The alarmist tone and manner ( used in populist politics ) would make
him look like yet another cuckoo with alternative facts :)



--------------------------------------------------------------------
Main hifi: Touch + CIA PS +MeridianG68J MeridianHD621 MeridianG98DH 2 x
MeridianDSP5200 MeridianDSP5200HC 2 xMeridianDSP3100 +Rel Stadium 3
sub.
Bedroom/Office: Boom
Kitchen: Touch + powered Fostex PM0.4
Misc use: Radio (with battery)
iPad1 with iPengHD & SqueezePad
(spares Touch, SB3, reciever ,controller )
server HP proliant micro server N36L with ClearOS Linux

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ralphpnj
2017-04-30 14:38:59 UTC
Permalink
Mnyb wrote:
> I think archimago does it even better :) he have carefully measured and
> presented real evidence on his site.
>
> That works really well with the part of the pupolation that have not yet
> got "audiophilia" .
>
> The calm matter of fact manner helps convince the much bigger audience
> that not yet afflicted.
> The true believers are in most cases lost , they die off slowly ( the
> prices in high end indicates that this is a factor ).
> The more effective work is convincing people to not join the cult in the
> first place .
>
> A fun an educational site does this work more effectively than something
> else .
>
> The alarmist tone and manner ( used in populist politics ) would make
> him look like yet another cuckoo with alternative facts :)

I fully understand why you, Archimago and many others believe that the
calm, polite and evidenced based approach is the proper one since reason
does indicate that this approach SHOULD work much more effectively than
my much more hostile approach. However the facts prove otherwise, in
other words, the calm, polite and evidenced based approach does not
work. Just ask President Trump which approach works better :)



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& Energy sub
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Mnyb
2017-05-01 02:33:37 UTC
Permalink
Well I think the hostile aproach drives up to much tension and personal
prestige it locks everyone involved into their trenches.



--------------------------------------------------------------------
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Misc use: Radio (with battery)
iPad1 with iPengHD & SqueezePad
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server HP proliant micro server N36L with ClearOS Linux

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Julf
2017-05-01 06:38:59 UTC
Permalink
Mnyb wrote:
> Well I think the hostile aproach drives up to much tension and personal
> prestige it locks everyone involved into their trenches.

See my comment in the Holy Wars thread...



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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darrenyeats
2017-05-01 11:11:49 UTC
Permalink
Mnyb wrote:
> Well I think the hostile aproach drives up to much tension and personal
> prestige it locks everyone involved into their trenches.
I agree.
Julf wrote:
> See my comment in the Holy Wars thread...
I know what you mean. Reasonableness doesn't work against certain kinds
of ignorance.

But when people are seemingly acting stupid, often there is a reason for
it that is not stupid at all. Trump voters vote for Trump for a complex
set of reasons. For example, some are left behind economically - and
many in the middle US view comparatively diminished income as a sign of
disrespect of their work and contribution to society. That is hurtful,
and there are limited lawful ways to express that hurt in a substantial
way - one of them being voting in an election.

It is emotional, but emotions are important. Remember none of the cars,
houses, hi-fis, roads, planes, atom smashers or smart phones would have
any meaning at all if humans disappeared over night. Objects only have
meaning in context, the context of humans being present.

I would have voted Hilary, and I voted Remain, but I'm worried about
polarisation in society.



Check it, add to it! http://www.dr.loudness-war.info/

SB Touch
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ralphpnj
2017-05-01 11:28:08 UTC
Permalink
darrenyeats wrote:
> I agree.
>
> I know what you mean. Reasonableness doesn't work against certain kinds
> of ignorance.
>
> But when people seem to act stupidly, often there is a reason for it
> that is not stupid at all. Trump voters vote for Trump for a complex set
> of reasons. For example, some are left behind economically - and many in
> the middle US view comparatively diminished income as a sign of
> disrespect of their work and contribution to society. That is hurtful,
> and there are limited lawful ways to express that hurt in a substantial
> way - one of them being voting in an election.
>
> It is emotional, but emotions are important. Remember none of the cars,
> houses, hi-fis, roads, planes, atom smashers or smart phones would have
> any meaning at all if humans disappeared overnight. Objects only have
> meaning in context, the context of humans being present.
>
> I would have voted Hilary, and I voted Remain, but I'm worried about
> polarisation in society.

There is a very big difference between ignorance (voters, the buying
audiophile public) and outright lying (the politicians, the media,
manufacturers). No amount of gentle persuasion is going to stop the
liars from lying because there is money and power involved. Sure a
little education may change the minds of some of the ignorant but the
liars will NEVER yield.

I realize that promoting a worthless $500 USB cable is not the same
lying about "clean" coal but it is nonetheless the actions are cut from
the same cloth.



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sub
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& Energy sub
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Julf
2017-05-01 11:31:49 UTC
Permalink
darrenyeats wrote:
> I would have voted Hilary, and I voted Remain, but I'm worried about
> polarisation in society.

So am I. And it is a polarisation in multiple axes. One is that
technology has increased our productivity immensely, but the benefits go
to a very small minority, while an increasing number of people find that
their work (and thus their livelihood) has been structured away. The
other is between the small group of people who use all the wonderful
tools we have to find information and learn about stuff, while a large
group uses it to entertain themselves - and sustain an echo chamber
bubble of like-minded opinions (and false news).



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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arnyk
2017-05-01 15:21:26 UTC
Permalink
Mnyb wrote:
> I think archimago does it even better :) he have carefully measured and
> presented real evidence on his site.
>

If you say so. While I like and enjoy A's articles measurements are IMO
not the answer. For one thing, the consumers don't know at all what they
mean. Even sophisticated techies often fall on their faces trying to
understand and particularly explain them.

>
> That works really well with the part of the pupolation that have not yet
> got "audiophilia" .
>

Audiophilia is a natural state for modern audiophiles because of the
perversity and pervasiveness of placebo effects. Left to their own
devices audiophiles gravitate to a kind of experience driven events that
confurm the claims of audio's high end.

>
> The calm matter of fact manner helps convince the much bigger audience
> that not yet afflicted.
>

Comforting words, but is their any reliable evidence to back them up?


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Mnyb
2017-05-02 06:50:23 UTC
Permalink
arnyk wrote:
>
>
> Comforting words, but is their any reliable evidence to back them up?

Mostly hope they seems to get older fewer :) and high end shops gets few
and far between .
But on the other hand internet :/ yeah you can live in your filterbubble
and buy stuff online .
The cult may live on for a long time .
Some sites even enforce the filterbubble by banning the Scientific
method , specifically DBT but you can't cherry pick science.
By rejecting parts you actually rejects the whole deal ,sadly .

In my own filterbubble ive noticed fewer die hard audiophiles and people
getting more reasonable ?

Mostly my own hope yes .

Finally the information age have given people like you and archimago a
voice :) thats gives me most of my hope .
Before this its was exclusively up to the corrupt hifi mags to
comunicate in these matters



--------------------------------------------------------------------
Main hifi: Touch + CIA PS +MeridianG68J MeridianHD621 MeridianG98DH 2 x
MeridianDSP5200 MeridianDSP5200HC 2 xMeridianDSP3100 +Rel Stadium 3
sub.
Bedroom/Office: Boom
Kitchen: Touch + powered Fostex PM0.4
Misc use: Radio (with battery)
iPad1 with iPengHD & SqueezePad
(spares Touch, SB3, reciever ,controller )
server HP proliant micro server N36L with ClearOS Linux

http://people.xiph.org/~xiphmont/demo/neil-young.html
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arnyk
2017-05-02 11:31:15 UTC
Permalink
Mnyb wrote:
> Mostly hope they seems to get older fewer :) and high end shops gets few
> and far between .
>

Which says that golden ears who are boomers are going to go away.
Doooh.

>
> But on the other hand internet :/ yeah you can live in your filterbubble
> and buy stuff online .
>

Exactly.

>
> The cult may live on for a long time .
>

My projection is: indefinitely.

>
> Some sites even enforce the filterbubble by banning the Scientific
> method , specifically DBT but you can't cherry pick science.
> By rejecting parts you actually rejects the whole deal ,sadly .
>

Exactly. The net of is that they are throttling science because it
causes contention and controversy.

Everybody who is surprised by that, should get a pointed cap and sit in
a corner! ;-)

>
> In my own filterbubble ive noticed fewer die hard audiophiles and people
> getting more reasonable ?
>
> Mostly my own hope yes .
>

I always hope for the best, and I was as optimistic as anybody back in
the days when we invented and promoted ABX which was to review,
1978-1982.


>
> Finally the information age have given people like you and archimago a
> voice :) thats gives me most of my hope .
>

That is true - ragazines like Stereophile don't have the large and
favored footprint in the marketplace for ideas that they once had.
However, they've been joined by so many who are touting the same
anti-science bilge. Let's face it, golden earism is a proven way to make
money and will remain strong even dominant as long as the placebo effect
is allowed to run loose.

>
> Before this its was exclusively up to the corrupt hifi mags to
> comunicate in these matters

However, the fundamental cause, which is that so called sighted
listening tests are obvious, prevalent and largely uncontested remains
unchanged.

Fact is that the criteria that most people instinctively use to evaluate
audio gear "proves" that the Golden ears are right. That has to be
overcome, or nothing will change.


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ralphpnj
2017-05-02 12:02:57 UTC
Permalink
arnyk wrote:
> However, the fundamental cause, which is that so called sighted
> listening tests are obvious, prevalent and largely uncontested remains
> unchanged.
>
> Fact is that the criteria that most people instinctively use to evaluate
> audio gear "proves" that the Golden ears are right. That has to be
> overcome, or nothing will change.

Direct A-B sighted listening tests (e.g. directly comparing two
components) are almost hard science compared to sighted memory listening
tests where a component is compared to one's memory of another component
- my absolute favorite!



Living Rm: Transporter-SimAudio pre/power amps-Vandersteen 3A Sign. &
sub
Home Theater: Touch-Marantz HTR-Energy Veritas 2.1 & Linn sub
Computer Rm: Touch-Headroom Desktop w/DAC-Aragon amp-Energy Veritas 2.1
& Energy sub
Bedroom: Touch-HR Desktop w/DAC-Audio Refinement amp-Energy Veritas 2.0
Guest Rm: Duet-Sony soundbar
Garage: SB3-JVC compact system
Controls: iPeng; SB Controller; Moose & Muso
Server: LMS 7.9 on dedicated windows 10 computer w/2 Drobos
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Golden Earring
2017-05-02 12:06:39 UTC
Permalink
I've read through this thread with interest, and I fully agree with the
sentiments expressed about manufacturers' marketing campaigns being
fuelled by the "independent" reviews published by the plethora of
magazines. The sad reality is that both the manufacturers and the
magazines are trying to sustain their businesses and this is most easily
achieved by promoting the concept that this year's product is much
better than last year's, and correspondingly that this month's magazine
has something brand-new to say.

I have seen the argument advanced that the Wall Street crash of 1929 was
at least partially induced by Henry Ford having managed to sell his
rugged & user repairable Model T to all possible consumers, including
many of his own workers who he remunerated relatively generously (for a
capitalist) using some of the economy of scale cost savings derived from
his revolutionary production line process to fund their higher wages.
Therefore he ultimately ran out of new customers and his revenue stream.

Manufacturers have now long learned this lesson, and we now have
"planned obsolescence" as a design requirement. Nevertheless, to
continue the car analogy briefly, each year each model will incorporate
changes of some kind, many of them useless & some of them plain stupid
(like electronic handbrakes!).

As in many fields, once you manage to penetrate the bs, there is an
80/20 rule at work which means that to achieve any meaningful/audible
improvement will require an ever-increasing level of design
sophistication & quality control effort in production meaning £££'s
being spent in accordance with the law of diminishing returns.

Having said all that, I wish my music system to operate in order to
suspend my disbelief that I am listening to sophisticated electronics
and fancy transducers when I want to think that I am listening to music.
Ultimately there must be a subjective element to this, and indeed a
personal one, depending upon which aspects of a real musical performance
one feels most important: enjoying music is after all an emotional
experience. I myself consider that I'm getting close when a reproduction
makes the hairs on the back of my neck stand up - I most commonly get
this response listening to exceptional vocalists, although solo piano is
a good test of system to because 1. it's a difficult signal to reproduce
accurately because of the initial transients to each note, from the
variable hammer action of the internal mechanism of the instrument, and
2. because most of us have a pretty good idea of what a real piano
played live sounds like.

I usually buy components for my system second-hand whenever possible, or
look for ex-demo bargains when something I want cannot easily be
acquired s/h. A major reason for this is of course that I am a
skin-flint, but joking aside, until you hook a piece of kit up with your
other gear in your own listening room and then listen to the result
intensively for a couple of weeks at least, you will not know if it
improves your musical enjoyment. There are plenty of combinations of kit
which don't work well together, and a rare few that have a synergistic
effect. And also something that sounds good initially may induce
"listening fatigue" after a longer audition. Buyers of s/h audio gear
are normally simply bothered by whether it actually works at all or not,
and not unduly concerned about the provenance, although there are a
strange subset of "original packaging" fanatics around. My point here is
that if I buy something this way, and later conclude that it does not
suit my needs I can usually sell it on without losing much (if any)
money. Just because something doesn't gel with my gear or ring my bell
doesn't mean that someone else won't be delighted by it so I don't feel
any moral conflict in this approach. Unfortunately, if everyone else
followed my approach (I don't buy the magazines either) a number of
manufacturers would inevitably go out of business unless they were able
readily to diversify their activities into other areas. There would also
eventually be a dearth of s/h kit for me to purchase so this is a
short-term strategy: however, at age 62 I must accept that my life
itself is rapidly assuming short-term characteristics...

Like others on this site, I have an enquiring mind and am interested in
how the "magic" of producing music from a bunch of boxes can be achieved
and I thoroughly endorse the scientific method as the only rational way
to proceed. I would note though that "science" is not actually a body of
knowledge but rather a set of working hypotheses each of which can never
be definitely proved but can only be definitively disproved by readily
repeatable experiments the results of which disagree with the prediction
of the theory. So we always need to be careful making definitive
statements of the nature of "science says x, so you must be wrong"
unless the specific matter in question has already been subjected to
those repeated experiments which have confirmed the validity of our
current hypothesis to this situation, and someone is claiming a result
contrary to those experimental findings.

Some working hypotheses even after being shown to be incorrect in
certain aspects can still be of use in other circumstances: I believe
that the USA put their men on the moon using Newton's Laws of Motion,
even though they had already been long supplanted by Einstein's Theory
Of Relativity. This was acceptable because the calculations were simpler
(they were very short of on-board computing power) and the difference
between the results which would result was insignificant in the
circumstances. Einstein's theories themselves remain unproved - they
simply have not yet been disproved. Equally, our latest theories about
digital music reproduction are not definitively proven, and we may later
reach a greater depth of understanding. Just saying...

In the meantime, I'm revelling in my disbelief suspension, and kidding
myself very effectively that I'm listening to great music...

Dave :)


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arnyk
2017-05-02 13:33:55 UTC
Permalink
Golden Earring wrote:
> I've read through this thread with interest, and I fully agree with the
> sentiments expressed about manufacturers' marketing campaigns being
> fuelled by the "independent" reviews published by the plethora of
> magazines. The sad reality is that both the manufacturers and the
> magazines are trying to sustain their businesses and this is most easily
> achieved by promoting the concept that this year's product is much
> better than last year's, and correspondingly that this month's magazine
> has something brand-new to say.
> > > >
> >
> > Agreed. If every new product sounds better than its predecessor, why
> > don't we have sonic perfection given that audio as we know it started
> > out in the late 1920s? The executive summary is that we have a lot more
> > differences than improvements, and most differences are actually
> > imperceptible. Most perceptions are based on obviously invalid sighted
> > evaluations.
> >
> > > > > > >
> > > Manufacturers have now long learned this lesson, and we now have
> > > "planned obsolescence" as a design requirement.
> > > > > > >
> >
> > I don't know about that. I have a store room full of gear that still
> > worked when I took out of service because it stopped being useful
> > or lacked some feature that I thought would be desirable, and I'm
> > pretty pragmatic.
> >
> > > > > > >
> > > Nevertheless, to continue the car analogy briefly, each year each model
> > > will incorporate changes of some kind, many of them useless & some of
> > > them plain stupid (like electronic handbrakes!).
> > > > > > >
> >
> > Interesting. I have a car with an electronic handbrake, and just
> > about every other electronic feature currently on the market. The
> > electronic handbrake and the other electronic controls make sense
> > given that the car uses electronic controls to achieve certain
> > desirable goals for reliability, safety and convenience.
> >
> > The traditional cable handbrake system was actually one of the more
> > inherently unreliable parts of just about every car I have ever
> > owned. I don't have enough experience with the new car to put the
> > reliability of its new technology into context, but so far, so good.
> >
> >
> > The desirable aspect of electronic handbrakes is that it is easy to
> > have them set themselves automatically whenever needed to achieve
> > certain goals for safety. Unintended movements of automobiles are a
> > significant source of accidents.
> >
> > > > > > >
> > > As in many fields, once you manage to penetrate the bs, there is an
> > > 80/20 rule at work which means that to achieve any meaningful/audible
> > > improvement will require an ever-increasing level of design
> > > sophistication & quality control effort in production meaning £££'s
> > > being spent in accordance with the law of diminishing returns.
> > > > > }
> >
> > There is a law of diminishing returns that is particularly
> > applicable to audio, but it is far more harsh than 80/20. At this
> > time other than loudspeakers and rooms no further meaningful
> > improvements in audible performance are possible at all. One about a
> > dollar or less is spent on most major audio component parts (ICs
> > like op amp and digital converters), no further audible improvements
> > can be obtained because the existing ones already cause no audible
> > degradation of the signals they process.
> >
> > [quote> >
> > Having said all that, I wish my music system to operate in order to
> > suspend my disbelief that I am listening to sophisticated
> > electronics and fancy transducers when I want to think that I am
> > listening to music. Ultimately there must be a subjective element to
> > this, and indeed a personal one, depending upon which aspects of a
> > real musical performance one feels most important: enjoying music is
> > after all an emotional experience.
> > > >
>
> An interesting question that can be answered is how much satisfaction
> can be obtained when most forms of subjective gratification are held
> constant, such as in blind tests.
>
> > > >
> > I myself consider that I'm getting close when a reproduction makes the
> > hairs on the back of my neck stand up - I most commonly get this
> > response listening to exceptional vocalists, although solo piano is a
> > good test of system too because 1. it's a difficult signal to reproduce
> > accurately because of the initial transients to each note, from the
> > variable hammer action of the internal mechanism of the instrument, and
> > 2. because most of us have a pretty good idea of what a real piano
> > played live sounds like.
> > > >
>
> Given how little live music is actually listened to and how much of
> that is actually an electronic fiction, I serious doubt the above
> statement. Furthermore, every live venue puts its own sonic imprint on
> the music listened to in it. This means that you may know what a flute
> sounds like played by a certain artist playing a certain work in a
> certain musical context in a certain room if you are sitting at a
> certain place in that room, but change any of those variables and you
> are only speculating.
>
> > > >
> > I usually buy components for my system second-hand whenever possible, or
> > look for ex-demo bargains when something I want cannot easily be
> > acquired s/h. A major reason for this is of course that I am a
> > skin-flint, but joking aside, until you hook a piece of kit up with your
> > other gear in your own listening room and then listen to the result
> > intensively for a couple of weeks at least, you will not know if it
> > improves your musical enjoyment.
> > > >
>
> While that is true to an extent, reality is that if I did a blind
> listening test in your room with your last 3 amplifiers,or DACs, or
> digital players, odds are extremely good that you would be reduced to
> random guessing. The strongest variable controlling the sound of your
> audio system is the room, and lots of changes usually happen in other
> areas for every signficiant change in the room.
>
> > > >
> > There are plenty of combinations of kit which don't work well together,
> > and a rare few that have a synergistic effect.
> > > >
>
> There are specific technical features that put into place in just
> about all audio gear to falsify that idea, and most of them are
> highly effective. As long as you stay clear of junk or tubed
> amplifiers, most components interface very well, thank you.
>
> > > >
> > And also something that sounds good initially may induce "listening
> > fatigue" after a longer audition.
> > > >
>
> That can happen, but again if you avoid sheerest junk or the darlings
> of the high end press like analog tape, vinyl and tubed gear, it is
> pretty rare.
>
> > > >
> > Like others on this site, I have an enquiring mind and am interested in
> > how the "magic" of producing music from a bunch of boxes can be achieved
> > and I thoroughly endorse the scientific method as the only rational way
> > to proceed. I would note though that "science" is not actually a body of
> > knowledge but rather a set of working hypotheses each of which can never
> > be definitely proved but can only be definitively disproved by readily
> > repeatable experiments the results of which disagree with the prediction
> > of the theory. So we always need to be careful making definitive
> > statements of the nature of "science says x, so you must be wrong"
> > unless the specific matter in question has already been subjected to
> > those repeated experiments which have confirmed the validity of our
> > current hypothesis to this situation, and someone is claiming a result
> > contrary to those experimental findings.
> > > >
>
> Sounds to me like you have invented a science of your own, based on
> hypothesis that are fairly easy to prove false with bias controlled
> listening tests. I'll baldly say, science falsifies a lot of your
> claims here, as I have already suggested.
>
> > > >
> > Some working hypotheses even after being shown to be incorrect in
> > certain aspects can still be of use in other circumstances: I believe
> > that the USA put their men on the moon using Newton's Laws of Motion,
> > even though they had already been long supplanted by Einstein's Theory
> > Of Relativity.
> > > >
>
> That's false. Relativity was well known at the time of the moon
> landings, and adjustments to account for it had to be made in certain
> critical areas, even back then. Computers were used to work out the
> flight plans and there were relativistic adjustments that were at
> least examined to see if they were relevant. You seem to have no clue
> about this sort of thing or many other areas of technology.
> Relativistic adjustments have to be made in common implementations of
> modern technology such as cell phones and GPS or they just don't
> work.
>
> > > >
> > Einstein's theories themselves remain unproved - they simply have not
> > yet been disproved.
> > > >
>
> Actually some of Einstein's theories or obvious applications of them
> are held in serious question. OTOH very anyf of them are as good as
> 100% true in many common modern applications, some already mentioned.
>
>
> I don't think you appreciate a fundamental principle of Science which
> is: "All findings of Science are provisional, just until we find
> something better." That's as true of everything as well las anything.
> Water flows down hill, and the earth is round, right? Well, sorta and
> surely if given that... The earth is actually pear shaped, for
> example!
>
> > > >
> > Equally, our latest theories about digital music reproduction are not
> > definitively proven, and we may later reach a greater depth of
> > understanding. Just saying...
> > > >
>
> I don't know what you are talking about. What part of digital music
> technology is questionable? IME, it all works, and more closely in
> accordance with its theories than many of its predecessors. Wanna see
> a theoretical mess? Let's talk about analog!
>
> No, it would seem that you are trying desperately to deify personal
> errors due to unmanaged subjectivity. That's what it seems to me, and
> for the reasons already given.


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Golden Earring
2017-05-02 14:01:11 UTC
Permalink
I don't think there's any point in working through all the points you
raise.

I did (a long time ago) get awarded an Open Exhibition to read Physics
at Oxford University, so I think I do have a basis to comment on what
science is and what it isn't.

As Wittgenstein pointed out in the 1920's, any question beginning with
the word "why" is meaningless from the standpoint of Logical Philosophy,
which now leaves that area of conjecture to those of a religious
persuasion. I am not an atheist (which is a logically indefensible
position, since you can't know that a God of some kind or another does
not exist), but I am strongly agnostic so have long ago stopped
bothering with why things are the way they are.

Physics has always been an investigation into "how" the universe
functions. I suspect that Sir Arthur Eddington was close to the mark in
the 1930's when he said, "The universe may not only be stranger than we
imagine, it may well be stranger than we can imagine". There will always
be new things to find out. IMO, Stephen Hawkin's stated objective of
"knowing the mind of God" is flogging a dead horse, no matter how
brilliant a scientist he is (or was when he did his best work).

My vote for physicist of the 20th century goes to neither Einstein nor
Hawking, but to Paul Dirac who did some astounding work on quantum
mechanics (which underpins all electronics) and despite being
little-known got himself buried in Westminster Abbey which is a signal
honour.

All that I am trying to point out is that our appreciation of music is
itself subjective - otherwise we would all like (& dislike) the same
things. This is a good thing, I'm all for human diversity it's got us a
long way in a very short time from an evolutionary standpoint.

Sorry to be so misunderstood.

Dave :)


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Julf
2017-05-02 14:40:15 UTC
Permalink
Golden Earring wrote:
> All that I am trying to point out is that our appreciation of music is
> itself subjective - otherwise we would all like (& dislike) the same
> things.

Appreciation of music is subjective. Even appreciation of various form
of coloration and distortion is subjective. But laws of physics aren't.


There is no problem with someone saying "I prefer the sound of tube
amps", but if someone says "green ethernet cables distort sound more
than red ethernet cables when transmitting streaming data", then we can
(and should) call "foo".



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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Golden Earring
2017-05-02 15:13:15 UTC
Permalink
Julf wrote:
> Appreciation of music is subjective. Even appreciation of various form
> of coloration and distortion is subjective. But laws of physics aren't.
>
> There is no problem with someone saying "I prefer the sound of tube
> amps", but if someone says "green ethernet cables distort sound more
> than red ethernet cables when transmitting streaming data", then we can
> (and should) call "foo".

I couldn't agree more: I am vehemently opposed to all manifestations of
"snake oil": my kit is reasonably high-end, but my interconnects and
speaker cables are not anything more than studio retailer (as opposed to
hi-fi retailer) items which were no more expensive than the quality of
their construction & terminators justify. My speaker cables (equal
lengths of course for each channel) are basic OFC with bare wire
termination securely attached to the amp's terminals (actually capable
of being clamped gently with a ring spanner) & the speaker binding posts
at the other end. I must confess to sitting my heavy amp on some
inexpensive rubber isolation feet although it probably makes no
difference - it's sitting on top of a sturdy cabinet on a concrete
floor. it just looks a bit sexy!

I know that there is a small contingent of technophiles who actually
have little appreciation of music & select their recordings to "show
off" the capabilities of their equipment. I am firmly in the opposite
camp, I would prefer not to "hear" my system at all, just the music. And
I hope that the vast majority of this forum's members would agree with
me on this.

I am old enough to remember Peter Walker who founded the Acoustical
Manufacturing Co. responsible for some decent amplification and renowned
electrostatic loudspeakers under the Quad brand name stating that "the
perfect amplifier is a straight piece of wire with gain". Unfortunately,
the realities of amplifier design necessitate considerably more
complexity to get anywhere close to that simple objective, as his own
products themselves bore out.

Dave :)


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Julf
2017-05-02 15:25:14 UTC
Permalink
Golden Earring wrote:
> I know that there is a small contingent of technophiles who actually
> have little appreciation of music & select their recordings to "show
> off" the capabilities of their equipment. I am firmly in the opposite
> camp, I would prefer not to "hear" my system at all, just the music. And
> I hope that the vast majority of this forum's members would agree with
> me on this.

Except for those of us who play electric/electronic instruments (where
the equipment is responsible for the sound to a high degree).

> I am old enough to remember Peter Walker

I also remember the days of Wireless World proper, when people like
Baxandall and Linsley Hood not only shared their designs, but also the
design rationale behind them. I guess the closest modern thing was
Linear Audio - unfortunately the most recent issue was also the last
one. :(



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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wortgefecht
2017-05-02 15:34:16 UTC
Permalink
Julf wrote:
> Except for those of us who play electric/electronic instruments (where
> the equipment is responsible for the sound to a high degree).
>

Yes, but creating music and playing back music in order to listen to are
not only two different planets, but two different universes. Imho. ;)

Gesendet von meinem Nexus 6 mit Tapatalk



Current setup:

- EEEBox, Xubuntu 14.04, LMS 7.9, FLAC
- *Duet* > Pro-Ject DAC Box E > AKG Hearo 888 Titan (home office),
*Boom + Canton ASF 75 SC* (master bedroom), *Boom* (master bathroom),
2 *Radios* (guest bathroom and garden deck), *RPi3 + LibreELEC +
XSqueeze* > Samsung TV > NAD L53 > Mission 2.1 speakers (living room)
- *Transporter* > vintage Wega Modul 42V amp (42E equalizer, 42T tape
deck + Thorens TD 160 Mk II turntable) > Quadral Vulkan Mk II (music
room)
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Golden Earring
2017-05-02 15:37:06 UTC
Permalink
Just to clarify, I am not in the habit of constantly changing my music
system.

The Mytek DAC & Sennheiser HD800S headphones which I recently acquired
are the first change I've made for 8 years.

If I am guilty of self-delusion in believing that the DAC makes my
system sound better (& that the Sennheisers sound better than my
loudspeakers, accepting that they prevent the sound from the opposite
channel hit my ear, and therefore do not portray the stereo image as the
recording engineer intended), then I can accept that. I'm fallible the
same as anyone else - at least I've had the benefit of some retail
therapy!

This is why I have proposed a rigorous double-blind test to establish
beyond statistical doubt whether I & any other forum member who would
care to participate (the more the merrier) can really detect the
difference in sound. I only learn something when I make mistakes, after
all...

Dave :)


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Golden Earring
2017-05-02 16:49:06 UTC
Permalink
I recently had the pleasure of meeting a fellow forum member who
expressed an interest in taking part in my test & assisting with the
technical aspects. He proved to be rather well qualified for this as he
is an electrical engineer with a particular interest in acoustic
engineering & an array of very handy equipment to assist in the precise
level matching that will be necessary to preclude the subjective bias
that almost everyone experiences in preferring the louder signal. Indeed
he suggested that we should aim for 0.1dB matching if practicable since
there is some evidence that even differences in level below the 0.5 -
1dB change that represents the effective limit of our conscious
perception can be sensed subconsciously and therefore invalidate a
serious test. I'm happy to bow to his superior experience in this
respect although it will take us some further trial & error at a
subsequent session to find the best volume settings on my Transporter &
DAC adjusted in tandem to achieve this. No problem.

He then came up with the startling (to me at least) assertion that after
30 minutes or so of acclimatisation our brains have the capability of
ignoring static reflections in a listening room, together with some very
plausible conjectures as to why this should be the case. I'll let him
share these with you himself on the forum if he chooses, because he'll
make a better job of explaining it than I would. Well, I'm always up for
new ideas, so (with some difficulty!) I shut up for half an hour while
he selected a wide range of recordings from my collection with which he
was familiar and "dialled himself in". When he had finished, he kindly
said that he found my system very musical, regardless of genre. This
(apart from flattering me) suggested that I do at least have a system of
sufficient resolution that differences might be discerned in the
proposed double-blind test *-if-* they really exist.

One of the things that we subsequently did was to load up a test disc
containing a variety of system checks, one of which was a sweep tone
test consisting of a series of constant amplitude tones each itself at a
fixed pitch for about 10 seconds, but then followed by a subsequent tone
at a lower frequency. The first thing that surprised me was that I heard
the highest tone with 62 year old ears (it came immediately after a
spoken introduction explaining the purpose of the test). The next thing
that surprised me was that I heard each successive tone at the same
subjective volume, except for the very last and lowest which was twice
as loud, clearly hitting a major modal frequency (presumably concrete
floor to beam & concrete ceiling, which is the shortest dimension as you
would expect) in my room which is essentially a concrete box *-and which
must therefore be full of reflected sounds which you would expect to
affect some frequencies more than others, -*simply because of the room
dimensions: it's almost square, just to make matters worse. I had been
intending to invest in some acoustic panels on the assumption that my
room must be too bright as is. But that (after a lot of listening over
the years from my favoured position) is not what I actually heard, and
it certainly made me at least take the proposition of echo suppression
in our hearing sense rather seriously. Of course I could be deluded
about this too, although it was absolutely not the result I expected so
it could hardly be a simple case of "hearing what you want to hear".
What I actually wanted was to get a sense of how much acoustic treatment
my wrong shaped & constructed room really needed.

It will be interesting to see if other test participants (after a
suitable musical interlude) have the same auditory experience with the
sweep test. One thing is for sure - my floor, walls & ceiling don't move
(except for the extreme bass resonating with the ceiling which I'll have
to try & fix before one of my neighbours murders me), so all the
reflections would be of the static kind that it had just been proposed
to me would be eliminated by my brain while listening to the direct
sound from my speakers which of course reaches my ears slightly earlier
than any reflections. I'm going to hold off plastering my walls with
acoustic panels, although I'll probably need some on the ceiling to help
absorb the resonant low bass frequency, and probably a bass trap to
finish the job.

The fact that I wasn't expecting the phenomenon just described at all
made it more remarkable. But that's experimentation for you - sometimes
you *-don't-* get what you expect. Further investigation warranted on
this, I think...

Dave :)


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arnyk
2017-05-02 17:58:23 UTC
Permalink
Golden Earring wrote:
> I don't think there's any point in working through all the points you
> raise.
>

Possible Translations:

(1) I know I'm wrong but no way in #$!! I'm going to admit it in public
(2) Your answers were over my head
(3) No matter what you say, what evidence you provide, I know I'm
right.

>
> I did (a long time ago) get awarded an Open Exhibition to read Physics
> at Oxford University, so I think I do have a basis to comment on what
> science is and what it isn't.
>

If you have some actual response to what I said, where is it? It surely
isn't the following meandering collection of 25 cent words and name
dropping:


>
> As Wittgenstein pointed out in the 1920's, any question beginning with
> the word "why" is meaningless from the standpoint of Logical Philosophy,
> which now leaves that area of conjecture to those of a religious
> persuasion.
>

I never said why. So why bring it up?

>
> I am not an atheist (which is a logically indefensible position, since
> you can't know that a God of some kind or another does not exist), but I
> am strongly agnostic so have long ago stopped bothering with why things
> are the way they are.
>

Why add irrelevant controversies like religion to the discussion, if not
for the purpose of obfuscation of befuddlement?

>
> Physics has always been an investigation into "how" the universe
> functions. I suspect that Sir Arthur Eddington was close to the mark in
> the 1930's when he said, "The universe may not only be stranger than we
> imagine, it may well be stranger than we can imagine". There will always
> be new things to find out. IMO, Stephen Hawking's stated objective of
> "knowing the mind of God" is flogging a dead horse, no matter how
> brilliant a scientist he is (or was when he did his best work).
>

Seems totally irrelevant to what used to be the fairly discussion at
hand - namely audio.




My vote for physicist of the 20th century goes to neither Einstein nor
Hawking, but to Paul Dirac who did some astounding work on quantum
mechanics (which underpins all electronics) and despite being
little-known got himself buried in Westminster Abbey which is a signal
honour.

All that I am trying to point out is that our appreciation of music is
itself subjective - otherwise we would all like (& dislike) the same
things. This is a good thing, I'm all for human diversity it's got us a
long way in a very short time from an evolutionary standpoint.

Sorry to be so misunderstood.


Yeah, its not your fault.

One can assist others in their understanding by being responsive,
relevant, and concise. Three strikes...


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StephenPG
2017-05-02 18:29:27 UTC
Permalink
> I am not an atheist (which is a logically indefensible position, since
> you can't know that a God of some kind or another does not exist), but I
> am strongly agnostic so have long ago stopped bothering with why things
> are the way they are.

I don't think 'atheist' means what you seen to think 'atheist' means.


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Golden Earring
2017-05-02 22:38:19 UTC
Permalink
StephenPG wrote:
> I don't think 'atheist' means what you seem to think 'atheist' means.

Hi Stephen!

My OED defines atheism as the theory or belief that God does not exist:
an atheist is a person who proposes such a theory or holds that belief.
Since the matter cannot be proven by any rational means, I consider it
to be as extreme a position as that of a person who asserts or believes
that God does exist, which is equally unprovable rationally.

With this apparently incorrect interpretation, I hold a genuine agnostic
position that I do not know whether any kind of God or Creator of any
kind exists, which falls between the two extremes although it doesn't
really lead anywhere.

Where is my factual error in this, I must have blinkers on tonight?

Dave :)


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StephenPG
2017-05-02 23:18:52 UTC
Permalink
Golden Earring wrote:
> Hi Stephen!
>
> My OED defines atheism as the theory or belief that God does not exist:
> an atheist is a person who proposes such a theory or holds that belief.
> Since the matter cannot be proven by any rational means, I consider it
> to be as extreme a position as that of a person who asserts or believes
> that God does exist, which is equally unprovable rationally.
>
> With this apparently incorrect interpretation, I hold a genuine agnostic
> position that I do not know whether any kind of God or Creator of any
> kind exists, which falls between the two extremes although it doesn't
> really lead anywhere.
>
> Where is my factual error in this, I must have blinkers on tonight?
>
> Dave :)

Atheism is not a theory, it is simply a lack of belief.

Pity you forgot the dictionary reference when you posted your first
comment regarding atheism.

> I am not an atheist (which is a logically indefensible position, since
> you can't know that a God of some kind or another does not exist), but I
> am strongly agnostic so have long ago stopped bothering with why things
> are the way they are.

Where does the O.E.D state that atheism is logically indefensible?

From Wikipedia, "Atheism is, in the broadest sense, the absence of
belief in the existence of deities."

> https://en.wikipedia.org/wiki/Atheism


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Golden Earring
2017-05-03 07:17:05 UTC
Permalink
StephenPG wrote:
> Atheism is not a theory, it is simply a lack of belief.
>
> Pity you forgot the dictionary reference when you posted your first
> comment regarding atheism.
>
>
>
> Where does the O.E.D state that atheism is logically indefensible?
>
> From Wikipedia, "Atheism is, in the broadest sense, the absence of
> belief in the existence of deities."


Hi Stephen!

The dictionary gives only definitions of words, rather than offering any
analysis of the consequence of their meaning.

It is my personal proposition that it is a logically indefensible
position, since I cannot envisage any rational means of investigating
its validity. Since we're all so keen on science here, perhaps you (or
someone else) would suggest a scientific means of investigating both
atheism & theism?

I should then be happy to withdraw my proposition. As regards my use of
the word "logical", before we are again delving in our dictionaries, may
I politely refer you to Proposition 7 of Ludwig Wittgenstein's
"Tractatus Logico-Philosophicus" for which the accepted English
translation is "Whereof one cannot speak, thereof one must be silent".
This work was published in its original German in 1921, with an English
translation following in 1922 containing a foreword by Bertrand Russell
who declared (one might suspect somewhat reluctantly) that he could find
no fault with it. This was the moment I mentioned in an earlier post
that Logical Philosophy abandoned its attempts to find meaningful
answers to any question beginning with the word "why".

Only a theist would now advance any answer to a question beginning with
the word "why", although many people (myself included) would be likely
to find any such answer unconvincing, since it would of necessity rely
upon a claim of "special knowledge", analogous in many respects to the
claims of the "golden-eared" which many members of this forum take great
pleasure in deriding. At last I've got back to at least a passing
reference to audio.

It is strange how my background summary of the place of science in world
thought which seemed so irrelevant (& off-topic) to some when I
attempted it in an earlier post has suddenly sprung to my defence on a
matter of detail.

Perhaps I'm not talking out of my hat after all...

Anyway, I do hope that I've clarified sufficiently now.

Dave :)


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cliveb
2017-05-03 07:59:40 UTC
Permalink
Pardon me for butting in but as a confirmed atheist I'd like to give you
my definition. As I see it, an atheist is someone who positively belives
there is no God. There's no need for them to declare that they "know"
that God does not exist, just that on the balance of probabilities it
seems highly unlikely.

Meanwhile I always thought that an agnostic is someone who has not made
up their mind over God's possible existence and prefers to sit on the
fence. Just because something is impossible to prove absolutely doesn't
mean you have to decline taking a stance. Therefore I find agnosticism
to be the logically indefensible position, given the overwhelming weight
of evidence that is available.



Transporter -> ATC SCM100A
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Golden Earring
2017-05-03 08:44:41 UTC
Permalink
cliveb wrote:
> Pardon me for butting in but as a confirmed atheist I'd like to give you
> my definition. As I see it, an atheist is someone who positively belives
> there is no God. There's no need for them to declare that they "know"
> that God does not exist, just that on the balance of probabilities it
> seems highly unlikely.
>
> Meanwhile I always thought that an agnostic is someone who has not made
> up their mind over God's possible existence and prefers to sit on the
> fence. Just because something is impossible to prove absolutely doesn't
> mean you have to decline taking a stance. Therefore I find agnosticism
> to be the logically indefensible position, given the overwhelming weight
> of evidence that is available.

Hi Clive!

It is fair to say that my own life experience (total lack of any
convincing "spiritual" intervention or sensation) has pushed me very
close to your own position, and if I were a betting man I should
certainly wager that there is no God, or at very least none with the
remotest interest in human affairs. I did initially declare myself to be
"strongly agnostic", and the above position is what I meant.

I think it's all a bit semantic: a gnostic is someone who asserts a
personal spiritual connection with God, and a large group of such people
were branded as heretics by the Catholic Church in mediaeval times and
ruthlessly persecuted to extinction.

Agnostic is the opposite: someone who has no experience of a God.

I'm amused by the different stances taken by the 2 French philosophers
Pascal & Voltaire, if you will indulge me for a moment:

Pascal said that faced with such uncertainty, one should believe in God
because the alternative would condemn you to everlasting damnation if
you turned out to be wrong.

Voltaire, who lived to a great age & had never embraced religion, found
himself confronted on his death-bed by a priest summoned by Voltaire's
family who was earnestly entreating him to repent of his mortal sins &
receive absolution. The great man fixed the priest with his dying eye &
remarked words to the effect of "Sir, this is no time to be making new
enemies!". Steadfast to the last...

Anyway, I don't think there is much practical difference in our own
respective stances - I think that I might have made my position somewhat
clearer at the outset.

Dave :)


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arnyk
2017-05-03 12:55:20 UTC
Permalink
Golden Earring wrote:
> Hi Clive!
>
> It is fair to say that my own life experience (total lack of any
> convincing "spiritual" intervention or sensation) has pushed me very
> close to your own position, and if I were a betting man I should
> certainly wager that there is no God, or at very least none with the
> remotest interest in human affairs. I did initially declare myself to be
> "strongly agnostic", and the above position is what I meant.
>
> I think it's all a bit semantic: a gnostic is someone who asserts a
> personal spiritual connection with God, and a large group of such people
> were branded as heretics by the Catholic Church in mediaeval times and
> ruthlessly persecuted to extinction.
>
> Agnostic is the opposite: someone who has no experience of a God.
>
> I'm amused by the different stances taken by the 2 French philosophers
> Pascal & Voltaire, if you will indulge me for a moment:
>
> Pascal said that faced with such uncertainty, one should believe in God
> because the alternative would condemn you to everlasting damnation if
> you turned out to be wrong.
>
> Voltaire, who lived to a great age & had never embraced religion, found
> himself confronted on his death-bed by a priest summoned by Voltaire's
> family who was earnestly entreating him to repent of his mortal sins &
> receive absolution. The great man fixed the priest with his dying eye &
> remarked words to the effect of "Sir, this is no time to be making new
> enemies!". Steadfast to the last...
>
> Anyway, I don't think there is much practical difference in our own
> respective stances - I think that I might have made my position somewhat
> clearer at the outset.
>
> Dave :)

Unfortunately, this author is about as bad at definitions of common
terms in philosophy as he is at audio.

Type "gnostic definition" into google, and this is what you get:


gnos·tic

adjective
1.
relating to knowledge, especially esoteric mystical knowledge.
noun
1.
an adherent of Gnosticism.

Look at just about any formal definition of the word, and you get pretty
much the same thing.


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Golden Earring
2017-05-03 13:13:47 UTC
Permalink
arnyk wrote:
> Unfortunately, this author is about as bad at definitions of common
> terms in philosophy as he is at audio.
>
> Type "gnostic definition" into google, and this is what you get:
>
>
> gnos·tic
>
> adjective
> 1.
> relating to knowledge, especially esoteric mystical knowledge.
> noun
> 1.
> an adherent of Gnosticism.
>
> Look at just about any formal definition of the word, and you get pretty
> much the same thing.

Morning Arny!

At least your post makes it clear that I'm not claiming any esoteric
mystical knowledge. I'm comforted by that.

Dave :)


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arnyk
2017-05-03 14:09:04 UTC
Permalink
Golden Earring wrote:
> Morning Arny!
>
> At least your post makes it clear that I'm not claiming any esoteric
> mystical knowledge. I'm comforted by that.
>
> Dave :)


Yeah joke, because I dealt with your claims of esoteric mystical
knowledge in earlier posts, ones that you decline to respond to in any
relevant way.


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Golden Earring
2017-05-03 14:23:55 UTC
Permalink
arnyk wrote:
> Yeah joke, because I dealt with your claims of esoteric mystical
> knowledge in earlier posts, ones that you decline to respond to in any
> relevant way.

I think a joke or two would lighten the mood.

I'm not aware that I've claimed any such knowledge - I accept that you
may dispute the validity of admittedly subjective listening experiences
that I have reported.

I have fully accepted the possibility that I might be mistaken and have
advanced no "mumbo-jumbo" knowledge denied to ordinary mortals to
explain them, as far as I'm aware. I'm keen to investigate in a rational
way to determine whether these perceptions of mine are valid or not.

So here's my favourite joke:

A man goes to his doctor because he has 3 problems. Nothing out of the
ordinary so far. It's the nature of the problems that are unusual. He is
insomniac, agnostic & dyslexic. So the doctor asks how these conditions
affect him. the guy replies, "Well, I lie awake at night worrying
whether there's a dog or not"

Dave :)


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Golden Earring
2017-05-03 15:08:06 UTC
Permalink
I hope someone out there had a chuckle: it cracked my dour Glaswegian GP
up when I chanced it with him...

Dave :)


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darrenyeats
2017-05-03 17:26:16 UTC
Permalink
FWIW I don't identify with any religion but I do identify as a theist.
For me this is philosophical. We go back looking for a first cause until
eventually we must accept a "brute fact" as some call it: something that
we accept just exists because it does. I'd like my brute fact to be
something transcendent - flying spaghetti monster doesn't cut it, big
bang doesn't cut it. Maths itself arguably could be called transcendent,
but I don't like that either.

Of course, the above is hardly a bastion of logic, but it's how I feel.
Can we talk about feelings here?! Ha-ha.



Check it, add to it! http://www.dr.loudness-war.info/

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Golden Earring
2017-05-03 19:29:17 UTC
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darrenyeats wrote:
> FWIW I don't identify with any religion but I do identify as a theist.
> For me this is philosophical. We go back looking for a first cause until
> eventually we must accept a "brute fact" as some call it: something that
> we accept just exists because it does. I'd like my brute fact to be
> something transcendent - flying spaghetti monster doesn't cut it, big
> bang doesn't cut it. Maths itself arguably could be called transcendent,
> but I don't like that either.
>
> Of course, the above is hardly a bastion of logic, but it's how I feel.
> Can we talk about feelings here?! Ha-ha.

I'm more than happy to respect other people's views on this subject, so
long as they can accept mine. There are plenty of good scientists with
deep religious convictions - there isn't really a conflict when you
think about it.

I agree that the Big Bang Theory feels uncomfortable, and a prominent
group of scientists argued strongly against it, led by Sir Fred Hoyle at
Cambridge who had done some great work in devising a good theory about
the life cycle of stars. Unfortunately, the accidental discovery of
Cosmic Background Radiation convinced most of the previous supporters
for his alternative Steady State Theory to change sides. As far as I
know Sir Fred himself continued to reject the Big Bang Theory right up
until his death.

Quantum Mechanics is another area of modern physics which has caused
immense controversy because it is so counter-intuitive that is actually
shocking when you really dig into it. Einstein who was in a real sense a
"classical" physicist refused to accept that there was not some deeper
process at work, and had a protracted correspondence with Niels Bohr on
the subject which I think again continued until his death in 1955. An
ingenious experiment precisely conducted by a team led by Alain Aspect
in Paris in 1962 confirmed the quantum entanglement concept by
confirming instantaneous (i.e. faster than the speed of light, something
which Einstein intuitively held to be impossible) "action at a distance"
which can only be explained by the quantum mechanical hypothesis of the
behaviour of sub-atomic particles, at least so far.

A proposition that the universe splits in two each time an observer
intervenes in the quantum world was put forward by John Wheeler in 1948
(in one Schrodinger's cat would be alive when the box was opened, in the
other it would be dead: which one you encounter is still down to a 50:50
chance) and was so roundly pooh-poohed by his fellow physicists that he
ceased his work. This view, now termed the "multiverse", has nonetheless
been building a significant number of supporters in recent years. The
history of science is littered with false starts and personal
animosities (Newton detested Robert Hook) and radical ideas usually take
some time to be considered seriously.

The "quantum cookbook" which can be used without any particular take on
what causes the universe to behave so weirdly at the tiniest scale does
however underpin a vast amount of our modern technology.

When I was endeavouring to prepare for the Oxford Entrance Examination,
thankfully with two other students who also got entrance awards, we had
exhausted our teachers' capacity to move us on, so we indulged in "Teach
Yourself Maths" for the best part of a term after already having taken
our A and S levels. We obtained a stack of past entrance exam papers and
endeavoured to work through them.

One physics question has remained with me: it simply said "Estimate the
probability that your current breath in contains an atom of Julius
Caesar's dying breath out". Wow! That required a fairly good knowledge
of the size and average density of the atmosphere, some assumption about
dispersal - 2000 odd years seemed long enough for that to be pretty much
uniform, and the capacity of your lungs, and finally the number of atoms
in a given volume of air. Quite a big ask under exam conditions, I doubt
that many candidates took it on - there were lots of questions, you just
tackled as many as you could in the allotted time. The point however is
the answer when you plug the correct facts in - it comes out, almost
unbelievably, at around 50%! It surprised us at the time. That is how
small atoms really are, so it is obviously no surprise that there should
be no trace of "quantum weirdness" detectable at our "common sense" real
world scale, it's been eliminated by statistical regression to the mean
many times over.

It sure is a strange world/universe. And as Jim Morrison succinctly
observed "People Are Strange" too... But so be it!

Dave :)


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StephenPG
2017-05-03 20:14:20 UTC
Permalink
Golden Earring wrote:
> I agree that the Big Bang Theory feels uncomfortable, and a prominent
> group of scientists argued strongly against it, led by Sir Fred Hoyle at
> Cambridge who had done some great work in devising a good theory about
> the life cycle of stars. Unfortunately, the accidental discovery of
> Cosmic Background Radiation convinced most of the previous supporters
> for his alternative Steady State Theory to change sides. As far as I
> know Sir Fred himself continued to reject the Big Bang Theory right up
> until his death.
> Dave :)

You might want to google 'cosmic background radiation'

https://xkcd.com/54/


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StephenPG
2017-05-03 20:18:07 UTC
Permalink
Golden Earring wrote:
> I'm more than happy to respect other people's views on this subject, so
> long as they can accept mine. There are plenty of good scientists with
> deep religious convictions - there isn't really a conflict when you
> think about it.
> Dave :)

Have you looked at any creationists lately?


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Golden Earring
2017-05-03 23:59:55 UTC
Permalink
StephenPG wrote:
> Have you looked at any creationists lately?
>
>
>
> According to https://en.wikipedia.org/wiki/Alain_Aspect
>
> Aspect is a graduate of the École Normale Supérieure de Cachan (ENS
> Cachan). He passed the 'agrégation' in physics in 1969 and received his
> master's degree from Université d'Orsay. He then did his national
> service, teaching for three years in Cameroon.
>
>
> Just found this youtube video you might find useful.
>
> https://www.youtube.com/watch?v=ANtpsunRYIs


The Alain Aspect experiment was performed in 1982, not 1962, my bad. I
don't constantly refer to wikipaedia for my information, but
congratulations on spotting an "alternative fact". It wasn't the first
experiment that showed "action at a distance", but was conducted using a
better protocol than the previous efforts and is therefore regarded as
the first firm refutation of Einstein's continued proposition that the
effect was physically impossible.

Haven't encountered any creationists in the UK yet, although I have
heard that they all voted for Mr. Trump, so I don't suppose I'd like
them much. There is not much you can do about strong convictions
however, even though I find the suggestion that God created the entire
fossil record simply to fool scientists hilarious.

We do get occasional clumps of cold-calling Jehovah's Witnesses around
here. Their usual approach is along the lines of "The world is in a
terrible state, don't you think something should be done about it?",
followed by the suggestion that if we all converted to whatever it is
that they actually believe in, God would deliver us from said
predicament. My (polite, of course) response is to say, "Now that's
really interesting, because I have a copy of a book that was written in
China around 1000BCE called the Tao Te Ching which is a model of brevity
yet contains such insightful statements as 'The world is chaotic, but
it's meant to be that way: if you try to change it you will only spoil
it more.' " Since this is not covered in their scripting they usually
try next door at this point. The book itself is actually a cracking
read, BTW.

I'm not a big fan of You Tube. Can you not make whatever point it is
yourself? Thanks.

Dave :)


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StephenPG
2017-05-04 01:55:54 UTC
Permalink
Golden Earring wrote:
> I'm not a big fan of You Tube. Can you not make whatever point it is
> yourself? Thanks.
>
> Dave :)

I used to think You Tube was just cute cats & morons, but I found it a
great resource for music, games and much more.

Watch the video!


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w3wilkes
2017-05-04 05:31:20 UTC
Permalink
The Big Bang was actually the formation of a Black hole. That is how our
universe was created and we're (our universe) inside that black hole.
This allows time to go beyond the creation of our universe because the
collapsing star that created our universe existed in it's own universe
that our universe (black hole) now exists in. This also accounts for our
universe's growth/expansion due to matter being sucked into our black
hole and converted from matter to energy as it crosses the event
horizon. I'm just surprised that this hasn't been realized yet!



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Golden Earring
2017-05-04 06:55:11 UTC
Permalink
w3wilkes wrote:
> The Big Bang was actually the formation of a Black hole. That is how our
> universe was created and we're (our universe) inside that black hole.
> This allows time to go beyond the creation of our universe because the
> collapsing star that created our universe existed in it's own universe
> that our universe (black hole) now exists in. This also accounts for our
> universe's growth/expansion due to matter being sucked into our black
> hole and converted from matter to energy as it crosses the event
> horizon. I'm just surprised that this hasn't been realized yet!

There are a number of very good theoretical physicists who find
themselves unhappy with the concept that space-time & energy suddenly
popped into existence from nowhere & a number of interesting hypotheses
have been produced. I agree with the concept that the Big Bang appears
in many ways to be the reversal of the formation of the "singularity"
that is a black hole. Nonetheless, black holes still have mass, deform
space-time (albeit dramatically in close proximity to themselves) only
over a local area, & of course there are now widely believed to be a
large number of them co-existing presently in our universe.

We still are unable to postulate with any level of confidence what
happened in the very earliest instants after the Big Bang. The problem
with singularities is that that are points of discontinuity in the
mathematics about which little can be inferred. We do not have any real
idea about the nature of dark matter which appears to have a mass around
9 times that of the estimated mass of the matter we can detect either by
optical or radio-astronomy. And less understanding yet of the so-called
"dark energy" which is causing the expansion of our expanding universe
to accelerate. These unexplained phenomena are with us now, so there is
at least the hope that future scientific investigation may yield further
information.

It is difficult to comprehend at present what possible investigation
could be applied to events prior to the "singular" Big Bang moment at
which point all known "laws" of physics break down and our mathematical
toolkit itself becomes of no use. As a consequence it seems unlikely
that any of the (admitting fascinating) competing pre-Big Bang
hypotheses can ever be disproved using the scientific method which is
our only basis of rational enquiry.

I'm not claiming to be the sharpest pencil in the box by a long way, but
my pencil does have a point. I happen to be in sheds of pain just at the
moment, so to cut this short I'm going to make a blunt point right now
since there still seems to be a lack of clarity.

With regards to the religious issue one can choose to believe that one
believes in a deity. Or you can choose to believe that no God exists.
Both of these positions can only be justified by claiming special
knowledge whether through faith/spirituality/esoterica or whatever,
because neither position can be tested and falsified using rational
means.

Finally you can join me and admit that you have no way of knowing
whether God exists or not since neither position can be definitively
falsified.

You may have a preference or a pet theory in science, but as long as it
remains untestable it will remain a guess or matter of opinion.

Otherwise you might well be up for a Nobel Prize for your insight that
would immediately cause everyone to agree with you (although even then
with the prize in your pocket and a world full of adoring acolytes, you
could still be wrong).

Much less kindness in my wording than usual for which I apologise. I
just want to get off this keyboard & SCREAM!

Dave (not :) just atm!)


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Golden Earring
2017-05-04 08:10:44 UTC
Permalink
w3wilkes wrote:
> The Big Bang was actually the formation of a Black hole. That is how our
> universe was created and we're (our universe) inside that black hole.
> This allows time to go beyond the creation of our universe because the
> collapsing star that created our universe existed in it's own universe
> that our universe (black hole) now exists in. This also accounts for our
> universe's growth/expansion due to matter being sucked into our black
> hole and converted from matter to energy as it crosses the event
> horizon. I'm just surprised that this hasn't been realized yet!

I'm aware that I was a little terse and probably unkind to boot in my
last post.

Having already apologised, may I add that I am actually pleased to find
that you make the effort to consider these mind-boggling matters and to
form your own opinion (to which you are of course absolutely entitled).
I am only trying to separate opinions (however plausible) from facts, or
in the case of science from the generally accepted best working
hypothesis. And it goes without saying that I am genuinely over the moon
that you are not a creationist (no offence intended)!

This point is not directed at you, but may I point out that if one were
suddenly presented with the concepts of Quantum Mechanics, with no
experimental evidence to falsify alternative hypotheses, you might well
dismiss them out-of-hand by resorting to the (unscientific) rationale of
"that's so unlikely, it cannot possibly be true". Yet for the time being
at least we have to accept it in the absence of an alternative
hypothesis which chimes with repeatable experimental results.

Einstein himself, who was a very lateral thinker, trusted his instincts
to his detriment more than once (insertion of "Cosmological Constant"
fudge into General Relativity when he didn't like the mathematical
implication of an expanding universe that it predicted, prior to Edwin
Hubble's observations, together with his dogged refusal to consider the
possibility of "spooky action at a distance" implied by Quantum
Mechanics).

Incidentally, although the mathematics required to complete the Theory
of General Relativity was all in existence at the time, Einstein
couldn't do it & had to enlist the assistance of a more mathematically
gifted colleague. Nothing wrong with that per se, we can't all do
everything as a general rule, but the contrast to Newton's approach is
noteworthy - when he found that the mathematics necessary to produce his
Principia did not exist, he simply invented calculus & carried on. In my
opinion, the Principia Mathematica is the most outstanding solo
endeavour in the history of science. And despite not normally being
noted for his humility he remarked, "If I have seen further, it was only
by standing on the shoulders of giants" paying homage to the great
mathematicians of history. Perhaps most impressively of all, he was
acutely aware that his work did not represent the final word on the
subject of physics, and listed 10 issues that he had been unable to
understand to his satisfaction and which he therefore deemed worthy of
further investigation.

None of this is my own work (other than my attempts at exposition), but
I find the subject fascinating and remain of the opinion that wisdom is
more important than intelligence, and yet when it comes right down to it
kindness is the most impressive human quality. I wish I were better at
it when I am in pain...

Dave (now :) again)


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Wombat
2017-05-04 15:26:58 UTC
Permalink
Is "singularity" a kind of femto time frame meeting a Brokkoly DAC? If
so, it would make it easier for me to follow.



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Golden Earring
2017-05-04 15:56:38 UTC
Permalink
Wombat wrote:
> Is "singularity" a kind of femto time frame meeting a Brokkoly DAC? If
> so, it would make it easier for me to follow.

Hi Wombat!

I can never tell when you're being serious, or having a laugh (which I
don't mind, btw)...

Just for the record a mathematical singularity is when the output of a
function becomes discontinuous & therefore of no practical use. It
represents a limit to our ability to model a situation accurately &
therefore a barrier to understanding. Without maths, physics pretty much
collapses...

Dave :)


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Wombat
2017-05-04 16:11:07 UTC
Permalink
I try to avoid being to serious besides the times when i enjoy entering
a**hole mode.
With the reminder i wanted to bring back your original mission, the
Brokkoly DAC. You spent much time in replies without mentioning it.
Cheers!



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w3wilkes
2017-05-04 16:42:55 UTC
Permalink
Sorry for taking the thread so far off topic, but I didn't bring up "Big
Bang". I did want to give my 2¢ on "Big Bang" though. Again, sorry! I'll
return to lurking this thread.



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Golden Earring
2017-05-04 17:25:52 UTC
Permalink
w3wilkes wrote:
> Sorry for taking the thread so far off topic, but I didn't bring up "Big
> Bang". I did want to give my 2¢ on "Big Bang" though. Again, sorry! I'll
> return to lurking this thread.

I don't think it's been on topic for ages. I don't think that I actually
understand the original issue...

Dave :)


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Golden Earring
2017-05-04 17:19:42 UTC
Permalink
Wombat wrote:
> I try to avoid being to serious besides the times when i enjoy entering
> a**hole mode.
> With the reminder i wanted to bring back your original mission, the
> Brokkoly DAC. You spent much time in replies without mentioning it.
> Cheers!

Hi Wombat!

We've actually hijacked this thread, but it had gone so spectacularly
off-topic before I intervened that I didn't think anyone would notice...

Just at this moment, I'm enjoying Ozawa's 1967 recording of Messiaen's
Turangalila (here's a circumflex missing there that I can't be bothered
to look for) Symphony which is something of an acquired taste so my
neighbours are probably disliking me more than usual if any of them are
in. No actual complaints though, so I'm pressing on.

Somewhat tragically from the sceptical objectivist viewpoint that I am
fending off, I still have to report that I'm enjoying it immensely &
hearing more clarity in its very dense & hectic soundstage than I
believe I've ever heard before. Could be retail therapy self-delusion of
course but since I'm in it for the musical experience I'm not really
that bothered.

As regards the dreaded rigorous audio double-blind trial, I'm still on
it. Have access to the equipment necessary to achieve 0.1dB (or
whatever) subliminal level matching but am realising that to do the
thing properly I'm going to have to make a switchbox since the only
thing I could find commercially available costs a ludicrous $1000
(before shipping, insurance & UK import duty/VAT), appears to be full of
active components I don't understand the need for, & only supports
unbalanced interconnects which is just not the way I roll.

I have sought expert assistance from a surprising source to try to
ensure I don't waste my time fabricating a dud.

I'm a bit concerned that the conventional wisdom seems to be to switch
sources within 20 seconds on the back of a theory that you can't
accurately remember any further back than that. I do feel that this
proviso is going to make it hard to establish an emotional connection to
the source material. In my personal view (hint: this is an opinion) a
solo piano piece is as much a test of equipment as a square wave & a lot
more engrossing. My concern is that we'll end up listening to the
electronics to the exclusion of the music which is not my normal focus.
Never mind, we can always try both short tones/snippets & longer musical
extracts: if it's double-blind & we repeat each trial sufficiently we
may still get some interesting results - I'll obviously keep the long &
short trials separate and treat them as two distinct overall tests.

No fixed timescale yet, but am talking to 2 other forum members with
regard to participation and would gladly welcome more.

Will keep you posted (probably on the other thread, can't believe this
one hasn't been shut down for total irrelevance yet). Do you know what
an Intona thingy is by any chance?

Dave :)


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Wombat
2017-05-04 17:59:48 UTC
Permalink
Golden Earring wrote:
> Hi Wombat!
> In my personal view (hint: this is an opinion) a solo piano piece is as
> much a test of equipment as a square wave & a lot more engrossing.
I read that so often even as proof for MQA superiority. Ever checked
what frequencies a piano really pushes? Most likely a 32kHz samplerate
recorrding will capure all audible (non masked) overtones. This is far
away of square wav needs.
You may check for noise between played notes, thats all.



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Golden Earring
2017-05-04 19:14:28 UTC
Permalink
Wombat wrote:
> I read that so often even as proof for MQA superiority. Ever checked
> what frequencies a piano really pushes? Most likely a 32kHz samplerate
> recording will capure all audible (non masked) overtones. This is far
> away of square wav needs.
> You may check for noise between played notes, thats all.

Hi Wombat!

My (obviously subjective) problem with square waves is "heard one,
you've heard 'em all". Hell, they don't even list the composers or
artists on these test discs anymore.

Solo piano is not *-that-* easy to reproduce because of a rapid initial
transient followed by a decay, both controlled by a combination of the
instrument and the performer. The composer usually provides some modest
input regarding the sequence of notes, tempo, style, you know, that kind
of musical thing.

Opinion: I like Debussy; I don't like square waves.

I do believe that MQA will prove to be a here today, gone tomorrow fad
and one without any particular merits in the first place however, so
we're not totally at odds.

Dave :)


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Wombat
2017-05-04 19:52:08 UTC
Permalink
Golden Earring wrote:
>
> My (obviously subjective) problem with square waves is "heard one,
> you've heard 'em all".
>
Now this one i didn't know :)

You may be right that piano is hard to capture right but it is not a
problem at all for digital playback. Not even the fear of ringing counts
because at 20kHz there is virtualy no loud enough content that can ring.



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Golden Earring
2017-05-05 07:14:14 UTC
Permalink
Wombat wrote:
> Now this one i didn't know :)
>
> You may be right that piano is hard to capture right but it is not a
> problem at all for digital playback. Not even the fear of ringing counts
> because at 20kHz there is virtualy no loud enough content that can ring.

Morning Wombat!

Had people in the corner of my room last night as a pleasant alternative
to TV, sorry to be slow to respond.

You are probably quite correct here since I enjoy listening to my (well
recorded) Debussy on my digital set up.

Care taken by the recording engineer is clearly important in most cases
(although possibly not Springsteen's Nebraska album, if you know the
story).

I have some Messiaen organ works recorded in Notre Dame cathedral in
which it is actually possible to hear the traffic noise from outside.
Whoops!

Dave :)


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Golden Earring
2017-05-05 13:04:27 UTC
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Afternoon all!

Thought I'd chuck these opinions in to generate a bit of controversy
(just for fun, but... )

I would certainly expect a well designed piece of audio gear to exhibit
good laboratory-type measurements.

However I remain sceptical that such measurements always reflect the
real world performance a music lover is seeking - let me give some
examples:

Low Total Harmonic Distortion measurements are reassuring to a degree,
but most people find odd harmonic artifacts much more objectionable than
even harmonic ones (tube amplifier lovers seem to actually like a bit of
even harmonic intrusion to give a euphoric rather than clinical insight
into their recordings). I'm not advocating even harmonic distortion per
se, I'm just saying that of two pieces of kit with similar THD
measurements, the one with the higher odd harmonic components is likely
to sound less musical unless the designer has managed to get the overall
THD to a spectacularly low level.

When I was a nipper, much stress was placed on the Damping Factor of an
amplifier, which if I recall correctly was defined as the ratio between
the (presumable relatively stable) output impedance of the power
amplifier to the nominal (and often highly volatile) input impedance of
the loudspeakers in use, which tended to be given as exactly 8 or 4 ohms
somewhat oddly, given the variability of loudspeaker impedance with
frequency. This measurement seems to have fallen out of favour, which is
probably for the best. In the old days loudspeaker manufacturers would
go to extraordinary lengths of driver combinations and elaborate
(passive) crossover designs in order to get a relatively flat frequency
response from their designs *-when measured in an anechoic chamber-*
(charts of these frequency responses were freely published to sell the
designs, little mention was made of THD statistics... ). Sadly few
users had one of these chambers, so they ended up with a sound
principally dictated by the size, shape & contents of their listening
rooms, whilst also presenting their power amplifiers with difficult
reactive loads and a loss of close control of the actual drivers
themselves. It is hardly surprisingly that few of such legacy
loudspeakers that have survived sound very musical when compared to a
halfway decent modern loudspeaker.

When dealing with the merits of PCM sampling rates much stress is placed
on the implied upper high frequency limit in accordance with "Nyquist
theory" (which was fully in place by the 1950's, long before its
subsequent application to digital audio - the Wikipaedia article on
"Nyquist-Shannon sampling theorem" is very informative, if not the
easiest of reads) & again I fully accept the frequency response upper
limit & the need for severe filtering at or below half the sampling rate
to prevent the intrusion of audible artifacts not present in the
original signal being introduced by the decoding process. However, I'm
not entirely convinced that this is the only concern when what we are
doing is seeking firstly to encode (ADC in recording studio) and then
decode (DAC in your music system) a complex & continuous analogue
waveform (let's call it "music") using any fixed quantity of 0's & 1's
and ANY sampling frequency. The only real question is whether the
reconstruction is sufficiently close to the original to fool your brain.
As a analogy, there are many real numbers of mathematical significance
that can not be completely represented in the decimal format to any
finite number of decimal places - they're called irrational numbers, and
there are an infinite number of them between 0 & infinity (infinity is a
slippery mathematical concept - some infinities are bigger than
others... ), but pi and the square root of 2 will serve as familiar
examples. Obviously in practice a sufficiently accurate rational number
substitute can be used for calculation purposes - what is sufficiently
accurate will depend on what you're doing.

What I am saying is that a continuous & dynamic analogue signal, like
er, "music" may be harder to successfully capture than many people
assume. If all DAC's sound the same, then why should all the hardware in
the Squeezebox family from the original Classic onwards not sound the
same? If that were the case why have so many members of this forum
acquired a Transporter or a Touch? Unless someone is going to say that
poorly designed DAC's were put into the earlier models by Sean Adams who
seems to me at least to have had a pretty good idea of what he was up to
as far as design was concerned...

Any computer program is only as good as its designer's a priori
understanding of the job it must perform. When I was younger & had
better concentration, it used to amuse me to beat my computer at chess
in all manner of ways (childish I know, but fun). The issue here was
that the programmer, who was almost certainly a much better chess player
than me, had been faced with a rather difficult problem - once his 3, 5,
10 or whatever (depending on how long you were prepared to wait for the
computer to select its next move) decision tree had been completed, he
had to tell the computer how to select the most desirable position for
its pieces to be in, by some weighting system or other. In other words,
he had to define what a "general" good chess position was. I didn't have
this problem, since I was only ever playing the one game in front of me
rather than worrying about all possible games and positions that might
arise. Also the program didn't itself understand how to win at chess -
it was always waiting for me to make a mistake. As long as you gave it
enough time, it didn't make tactical errors (giving pieces away cheaply)
but it had no concept of strategy, so you could with some effort gain a
sufficient positional advantage that it was unable to survive a careful
attack. I know that computer programs have got better, & some of them
now attempt to self-learn (difficult when you consider how many
different possible games of chess there are) &/or use "fuzzy" logic, and
of course they now have access to more powerful processors & more memory
enabling them to run longer decision trees of all possible moves for a
given number of moves ahead more quickly. I also know that my ability to
maintain my concentration has reduced with age. So I don't find this
pastime as much fun anymore (who likes to lose?) because the chance of
me making a mistake before achieving a strategic advantage has increased
markedly. It's hard to get the upper hand when you don't have as many
pieces left as your opponent, unless you're Paul Morphy!

These days I prefer to play backgammon, although I have to turn down
the wick on my program since it's actually better than any human player
if you give it free rein. The professionals use it to conduct a
post-mortem on their games. Of course, there's also an element of luck
in backgammon which is not the case in chess or in its more difficult
stablemate Go, which is played mostly though not exclusively in the Far
East. Edward Lasker who was a chess world champion later devoted himself
to Go which he recognised as a greater challenge & he was responsible
for bringing it to the attention of the Western world. I believe it now
has more active players in the world than chess, although I'm happy to
be corrected on this because I can't be bothered to check just now. The
fact that super-computers are now capable of beating the world's top
human players at both of these games is a truly remarkable demonstration
of the power of our technology, and gives me pause every time I re-watch
Arnie in the Terminator series of filums...

I'm not saying that we're incapable of designing ADC - DAC pairings good
enough to fool our brains. I'm just saying that I'm not sure that all
implementations currently reach that standard, & by implication I am
somewhat sceptical of the claim that "all DAC's sound the same" when
dealing with "music" rather than a regularly-shaped test tone, whether
it be a square wave or a sine wave, is really the case...

FWIW, I'm equally sceptical of the true provenance of many of the
"hi-res" recordings currently available & suspect that few of them come
close to achieving the potential quality of their purported format - I
might get a bit of agreement on this point at least.

I've put my firefighter's costume on in preparation, lol

Dave :)


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ftlight
2017-05-05 15:11:32 UTC
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Golden Earring wrote:
> When dealing with the merits of PCM sampling rates much stress is placed
> on the implied upper high frequency limit in accordance with "Nyquist
> theory" (which was fully in place by the 1950's, long before its
> subsequent application to digital audio - the Wikipaedia article on
> "Nyquist-Shannon sampling theorem" is very informative, if not the
> easiest of reads) & again I fully accept the frequency response upper
> limit & the need for severe filtering at or below half the sampling rate
> to prevent the intrusion of audible artifacts not present in the
> original signal being introduced by the decoding process.

It's interesting to note that Nyquist's original paper, “Certain Topics
in Telegraph Transmission Theory” (which Claude Shannon relied heavily
upon while developing information theory in 1949), was first published
in 1924, when "high fidelity" in audio depended largely on how well
designed your recording and reproducing horns were. Nyquist worked for
Bell Labs, and was trying to get the most Morse code down the smallest
pipe, particularly important for the worldwide network of telegraph
cables, which were first laid in 1850 and continued in operation until
the 1960s.

I recently acquired a copy of this 1928 Bell Labs reprint of the
original 1924 paper, although I paid only $1.50 for my copy:
https://www.atticusrarebooks.com/pages/books/746

Bill


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Golden Earring
2017-05-05 15:36:04 UTC
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ftlight wrote:
> It's interesting to note that Nyquist's original paper, “Certain Topics
> in Telegraph Transmission Theory” (which Claude Shannon relied heavily
> upon while developing information theory in 1949), was first published
> in 1924, when "high fidelity" in audio depended largely on how well
> designed your recording and reproducing horns were. Nyquist worked for
> Bell Labs, and was trying to get the most Morse code down the smallest
> pipe, particularly important for the worldwide network of telegraph
> cables, which were first laid in 1850 and continued in operation until
> the 1960s.
>
> I recently acquired a copy of this 1928 Bell Labs reprint of the
> original 1924 paper, although I paid only $1.50 for my copy:
> https://www.atticusrarebooks.com/pages/books/746
>
> Bill
:)
Hi Bill.

All that you say is indeed borne out by the heavy Wikipaedia article I
referenced: in fact Nyquist himself wasn't concerned with sampling
theory at all, and it's somewhat odd that his name has stuck to
something Shannon actually developed although he relied upon Nyquist's
much earlier work in working through his mathematical proof. Other
people did significant work on sampling theory in the 50's & have at
times had their names stuck onto the workable version of the sampling
theory application.

What is interesting is that none of this was done with any concern for
high fidelity sound, they were working on digitising communications
which only required a voice to be intelligible at the other end of the
line.

I dare say that if you connected a decent microphone in front of your
stereo, plugged it into your computer and made a Skype call to someone
with a decent sound card or other audio out on their computer and fed it
into their music system it would sound pretty ropey!

So although the sampling theory results are applicable, the design
priorities in creating high quality digital audio would be quite
different from anything that was being done in the 1950's. perhaps we
should be giving other people a heads-up as well for making it happen?

Dave


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arnyk
2017-05-05 18:59:25 UTC
Permalink
Golden Earring wrote:
> :)
> Hi Bill.
>
> All that you say is indeed borne out by the heavy Wikipaedia article I
> referenced: in fact Nyquist himself wasn't concerned with sampling
> theory at all, and it's somewhat odd that his name has stuck to
> something Shannon actually developed although he relied upon Nyquist's
> much earlier work in working through his mathematical proof. Other
> people did significant work on sampling theory in the 50's & have at
> times had their names stuck onto the workable version of the sampling
> theory application.
>
> What is interesting is that none of this was done with any concern for
> high fidelity sound, they were working on digitising communications
> which only required a voice to be intelligible at the other end of the
> line.
>

Bell Labs (who no longer exist) concerned themselves with far more than
mere telephone conversations. Given your probable age you should
remember when about half of all movies featured "Western Electric Sound
System" in their credits. If you are familiar with large corporate
arrangements of the day, Western Electric was the manufacturing division
of American Telephone and Telegraph (AT&T) and their research devision
was called "Bell Labs" IOW, high quality sound was part of their
agenda.

There is a principle called extensibility or scaling. Basically, in very
many cases high performance is obtained using the same basic principles
as is used to achieve lower level performance, they are just logically
extended by carrying them a little further. This is abundantly true for
audio. If modest frequency response and distortion yields good speech
performance, extending the relevant technology along existing clear
paths yields far better performance, and excellent high fidelity will
result. This is particularly true of audio, and even more true of
digital audio. It shows up in the development of digital audio in that
many of the same research organizations as developed digital
switchboards extended the same basic technology and within 10 years
their digital hardware were producing commercial digital recordings that
sound excellent to this day.

>
> I dare say that if you connected a decent microphone in front of your
> stereo, plugged it into your computer and made a Skype call to someone
> with a decent sound card or other audio out on their computer and fed it
> into their music system it would sound pretty ropey!
>

That is a pretty brave dare because if you actually do it, the resulting
sound is actually pretty good, and it gets even better when leave a
component that is superfluous for recording and playback namely Skype,
out of the system. OTOH, even the sonic and visible performance of Skype
continues to improve.

The technical performance of modern PC sound systems is in the same or
better than best audio CDs, and in fact millions of audiophiles use
their computers or cell phones (whose basic audio systems aside from the
cell phone system) is comparable or better than the best audio recording
and playback systems that were in use for the most critical professional
work not that many years ago. In fact most technical advances beyond
current cell phones and PC's have no scientifically demonstrable audible
advantages.

>
> So although the sampling theory results are applicable, the design
> priorities in creating high quality digital audio would be quite
> different from anything that was being done in the 1950's. perhaps we
> should be giving other people a heads-up as well for making it happen?
>

What a wad of Poorly informed falsehoods!


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arnyk
2017-05-05 18:34:49 UTC
Permalink
Golden Earring wrote:
> Hi Wombat!
>
> My (obviously subjective) problem with square waves is "heard one,
> you've heard 'em all". Hell, they don't even list the composers or
> artists on these test discs anymore.
>

That would have to be a joke, because you can't be serious. Friendly
advice - add an appropriate emoticon.

>
> Solo piano is not *-that-* easy to reproduce because of a rapid initial
> transient followed by a decay, both controlled by a combination of the
> instrument and the performer.\
>

That's yet another audiophile myth.

Hearing: An Introduction to Psychological and Physiological Acoustics
*5th Edition

StanleyA.Gelfand

Chapter 3

"
Temporal summation deals with the relationship between
stimulus duration and intensity when the time frame is less
than about 1 s (see Chap. 9). It is most easily understood by
example. Suppose a subjectÂ’s threshold for a tone that lasts
200 ms happens to be 18 dB. Will the threshold remain at 18
dB when the same tone is presented for only 20 ms? It is found
that when the 20-ms tone is used the threshold changes to
28 dB. (A similar trade-off is needed to maintain the stimulus
at a constant loudness. This illustrates the general psychoacoustic
observation that when a signal is shortened by a factor of
10 (e.g., from 200 to 20 ms), the signal level must be increased by
as much as 10 dB to offset the decade decrease in duration. This
relationship is understandably called a time-intensity trade.
"

IOW, if sound is 10 times shorter, it is up to twice as hard to hear.
*This means that the leading edges of transients are masked due their
short duration. When you get down to transients measured in
microseconds, the masking is quite significant.


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Golden Earring
2017-05-04 17:39:24 UTC
Permalink
Wombat wrote:
> I try to avoid being to serious besides the times when i enjoy entering
> a**hole mode.
> With the reminder i wanted to bring back your original mission, the
> Brokkoly DAC. You spent much time in replies without mentioning it.
> Cheers!


Now that I've finished the Messiaen, I've been re-checked the user
manual. Apparently if you manage to crack an esoteric combination of
button presses (based I intuit on the reported dimensions of Solomon's
Temple that Sir Isaac Newton allegedly got so obsessed with) you can get
the thing to emit a continuous stream of virtual Vitamin K particles.
That's quite healthy for the liver...

Dave :)


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Golden Earring
2017-05-03 17:29:01 UTC
Permalink
Have I killed this thread off? I was just about to ask what the Intona
thingy is anyway...

Dave :)


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darrenyeats
2017-05-03 18:17:40 UTC
Permalink
Dave, I'm certainly willing to blame you for my outburst!



Check it, add to it! http://www.dr.loudness-war.info/

SB Touch
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StephenPG
2017-05-03 19:03:16 UTC
Permalink
cliveb wrote:
> Pardon me for butting in but as a confirmed atheist I'd like to give you
> my definition. As I see it, an atheist is someone who positively belives
> there is no God. There's no need for them to declare that they "know"
> that God does not exist, just that on the balance of probabilities it
> seems highly unlikely.
>
> Meanwhile I always thought that an agnostic is someone who has not made
> up their mind over God's possible existence and prefers to sit on the
> fence. Just because something is impossible to prove absolutely doesn't
> mean you have to decline taking a stance. Therefore I find agnosticism
> to be the logically indefensible position, given the overwhelming weight
> of evidence that is available.

+1

Thanks cliveb.


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Golden Earring
2017-05-02 18:31:53 UTC
Permalink
arnyk wrote:
> Possible Translations:
>
> (1) I know I'm wrong but no way in #$!! I'm going to admit it in public
> (2) Your answers were over my head
> (3) No matter what you say, what evidence you provide, I know I'm right.
>
>
>
> If you have some actual response to what I said, where is it? It surely
> isn't the following meandering collection of 25 cent words and name
> dropping:
>
>
>
>
> I never said why. So why bring it up?
>
>
>
> Why add irrelevant controversies like religion to the discussion, if not
> for the purpose of obfuscation of befuddlement?
>
>
>
> Seems totally irrelevant to what used to be the fairly discussion at
> hand - namely audio.
>
>
>
>
>
> Yeah, its not your fault.
>
> One can assist others in their understanding by being responsive,
> relevant, and concise. Three strikes...



I'm not the first person to find your approach confrontational. I just
think we'll generate more heat than light if we carry on.

I'm as entitled to my world view and opinions as you are to yours.

I have already stated more than once that I'm not infallible - perhaps
you might concede the same? Then we might be able to explore our
different positions to see if either of us are suffering from what Eric
Blair termed "double-think". It's the prevalent ability of human beings
to subscribe to two conflicting points of view without noticing the
contradiction. If we unable to agree to explore this very real
possibility (for both of us), then we're not engaging in an informed
debate.

I'm not interested in having an argument: I don't know you well enough
to be remotely motivated...

Dave :)


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StephenPG
2017-05-02 18:38:43 UTC
Permalink
> I'm as entitled to my world view and opinions as you are to yours.

But you're not entitled to your own 'facts'.


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Golden Earring
2017-05-02 19:36:08 UTC
Permalink
StephenPG wrote:
> But you're not entitled to your own 'facts'.


Hi Stephen!

Accepting that "alternative facts" appear to be much in vogue these
days, would you mind clarifying which particular facts I have cited you
believe to be incorrect?

I'm happy to stand corrected if I have made an error. It is not my
intention to promulgate any kind of propaganda.

Thanks,
Dave :)


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arnyk
2017-05-02 19:54:57 UTC
Permalink
Golden Earring wrote:
> Hi Stephen!
>
> Accepting that "alternative facts" appear to be much in vogue these
> days, would you mind clarifying which particular facts I have cited you
> believe to be incorrect?
>
> I'm happy to stand corrected if I have made an error. It is not my
> intention to promulgate any kind of propaganda.
>
>

Been there, done that and the public record of this forum shows that
you replaced the hoped for polite, rational answers with personal
attacks and obfuscation.

Here they are again:

False claim:
>
> As in many fields, once you manage to penetrate the bs, there is an
> 80/20 rule at work which means that to achieve any meaningful/audible
> improvement will require an ever-increasing level of design
> sophistication & quality control effort in production meaning £££'s
> being spent in accordance with the law of diminishing returns.
>

Description of error:

There is a law of diminishing returns that is particularly applicable to
audio, but it is far more harsh than 80/20. At this time other than
loudspeakers and rooms no further meaningful improvements in audible
performance are possible at all. One about a dollar or less is spent on
most major audio component parts (ICs like op amp and digital
converters), no further audible improvements can be obtained because the
existing ones already cause no audible degradation of the signals they
process.

False claim:
>
> Having said all that, I wish my music system to operate in order to
> suspend my disbelief that I am listening to sophisticated electronics
> and fancy transducers when I want to think that I am listening to music.
> Ultimately there must be a subjective element to this, and indeed a
> personal one, depending upon which aspects of a real musical performance
> one feels most important: enjoying music is after all an emotional
> experience.
>
An interesting question that can be answered is how much satisfaction
can be obtained when most forms of subjective gratification are held
constant, such as in blind tests.

Explained: Your apparent error is the claim that the only means for
determining the value of an audio system are purely subjective. Accuracy
is a widespread standard that is used for evaluating sound quality and
is not subjective, it is an measurable property that can be ranked on
an objective scale.

You seem to have used the words "Blind test" as some sort of an
incantation without really understanding what that involves. That I
think you may have even admitted this. I see no evidence that you know
what one involves or how to do one, or supervise others to them. Some
alleged engineer that you found on the street is not a suitable
authority, and there is no necessary connection between the ownership of
technical gear and knowledge of how to properly use it.

>
> I myself consider that I'm getting close when a reproduction makes the
> hairs on the back of my neck stand up - I most commonly get this
> response listening to exceptional vocalists, although solo piano is a
> good test of system too because 1. it's a difficult signal to reproduce
> accurately because of the initial transients to each note, from the
> variable hammer action of the internal mechanism of the instrument, and
> 2. because most of us have a pretty good idea of what a real piano
> played live sounds like.
>

I have witnessed and even been part of literally thousands of public
musical performances, and rarely if ever do the hairs on any part of my
body stand up. I know of no reliable connection between the condition of
one's hair and sonic accuracy. While the above may be romantic, I don't
think it has any kind of widely accepted meaning.


Given how little live music is actually listened to and how much of that
is actually an electronic fiction, I serious doubt the above statement.
Furthermore, every live venue puts its own sonic imprint on the music
listened to in it. This means that you may know what a flute sounds like
played by a certain artist playing a certain work in a certain musical
context in a certain room if you are sitting at a certain place in that
room, but change any of those variables and you are only speculating.

>
> I usually buy components for my system second-hand whenever possible, or
> look for ex-demo bargains when something I want cannot easily be
> acquired s/h. A major reason for this is of course that I am a
> skin-flint, but joking aside, until you hook a piece of kit up with your
> other gear in your own listening room and then listen to the result
> intensively for a couple of weeks at least, you will not know if it
> improves your musical enjoyment.
>

While that is true to an extent, reality is that if I did a blind
listening test in your room with your last 3 amplifiers, or DACs, or
digital players, odds are extremely good that you would be reduced to
random guessing. The strongest variable controlling the sound of your
audio system is the room, and lots of changes usually happen in other
areas for every significant change in the room.

>
> There are plenty of combinations of kit which don't work well together,
> and a rare few that have a synergistic effect.
>

There are specific technical features that put into place in just about
all audio gear to falsify that idea, and most of them are highly
effective. As long as you stay clear of junk or tubed amplifiers, most
components interface very well, thank you.

>
> And also something that sounds good initially may induce "listening
> fatigue" after a longer audition.
>


That can happen, but again if you avoid sheerest junk or the darlings of
the high end press like analog tape, vinyl and tubed gear, it is pretty
rare.

>
> Like others on this site, I have an enquiring mind and am interested in
> how the "magic" of producing music from a bunch of boxes can be achieved
> and I thoroughly endorse the scientific method as the only rational way
> to proceed. I would note though that "science" is not actually a body of
> knowledge but rather a set of working hypotheses each of which can never
> be definitely proved but can only be definitively disproved by readily
> repeatable experiments the results of which disagree with the prediction
> of the theory. So we always need to be careful making definitive
> statements of the nature of "science says x, so you must be wrong"
> unless the specific matter in question has already been subjected to
> those repeated experiments which have confirmed the validity of our
> current hypothesis to this situation, and someone is claiming a result
> contrary to those experimental findings.
>


Sounds to me like you have invented a science of your own, based on
hypothesis that are fairly easy to prove false with bias controlled
listening tests. I'll baldly say, science falsifies a lot of your claims
here, as I have already suggested.

>
> Some working hypotheses even after being shown to be incorrect in
> certain aspects can still be of use in other circumstances: I believe
> that the USA put their men on the moon using Newton's Laws of Motion,
> even though they had already been long supplanted by Einstein's Theory
> Of Relativity.
>


That's false. Relativity was well known at the time of the moon
landings, and adjustments to account for it had to be made in certain
critical areas, even back then. Computers were used to work out the
flight plans and there were relativistic adjustments that were at least
examined to see if they were relevant.

You seem to have no clue about this sort of thing or many other areas of
technology. Relativistic adjustments have to be made in common
implementations of modern technology such as cell phones and GPS or they
just don't work.

>
> Einstein's theories themselves remain unproved - they simply have not
> yet been disproved.
>

Actually some of Einstein's theories or obvious applications of them are
held in serious question. OTOH very many of them are as good as 100%
true in many common modern applications, some already mentioned.

I don't think you appreciate a fundamental principle of Science which
is: "All findings of Science are provisional, just until we find
something better." That's as true of everything as well las anything.
Water flows down hill, and the earth is round, right? Well, sorta and
surely if given that... The earth is actually pear shaped, for example!

>
> Equally, our latest theories about digital music reproduction are not
> definitively proven, and we may later reach a greater depth of
> understanding. Just saying...
>



I don't know what you are talking about. What part of digital music
technology is questionable? IME, it all works, and more closely in
accordance with its theories than many of its predecessors. Wanna see a
theoretical mess? Let's talk about analog!


Now there is a second chance. If you choose to dishonor my attempts to
communicate with you a second time, then any pretense of logic, reason
or even mere politeness is on your part is proven false.


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StephenPG
2017-05-02 20:15:59 UTC
Permalink
Thank you Mr K.


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Golden Earring
2017-05-02 22:40:50 UTC
Permalink
arnyk wrote:
> Possible Translations:
>
> (1) I know I'm wrong but no way in #$!! I'm going to admit it in public
> (2) Your answers were over my head
> (3) No matter what you say, what evidence you provide, I know I'm right.
>
>
>
> If you have some actual response to what I said, where is it? It surely
> isn't the following meandering collection of 25 cent words and name
> dropping:
>
>
>
>
> I never said why. So why bring it up?
>
>
>
> Why add irrelevant controversies like religion to the discussion, if not
> for the purpose of obfuscation of befuddlement?
>
>
>
> Seems totally irrelevant to what used to be the fairly discussion at
> hand - namely audio.
>
>
>
>
>
> Yeah, its not your fault.
>
> One can assist others in their understanding by being responsive,
> relevant, and concise. Three strikes...


I hope that you appreciate that you are now arguing with yourself. Why
not listen to some music & chill out a bit?

Dave :)


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Golden Earring
2017-05-02 23:01:27 UTC
Permalink
I do find it odd that given the relative popularity of this thread and
the considerable number of knowledgeable people who post regularly on
this forum, that I am only being taken to task by two people since it is
suggested that I am talking out of my hat.

Could this in fact be a case of psychological projection?

Nobody has had anything interesting to say yet about the genuine issues
I was attempting to raise, unless I am mistaken...

As for the proposed rigorous double-blind test, I am currently
researching the recommended way to conduct this, and propose to publish
the precise methodology that I select on this forum *-before-* carrying
out the procedure to give any doubting Thomas's a chance to stick their
fingers in the holes ahead of time. Then it should be reasonable to
proceed without the inevitable criticism after the event which would
otherwise doubtless ensue. Constructive a priori criticism will
obviously be welcome, I have no wish to waste other peoples' time.

Dave :)


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ralphpnj
2017-05-02 23:47:04 UTC
Permalink
Golden Earring wrote:
> I do find it odd that given the relative popularity of this thread and
> the considerable number of knowledgeable people who post regularly on
> this forum, that I am only being taken to task by two people since it is
> suggested that I am talking out of my hat.
>
> Dave :)

Hell no, we are all here and having a hellva a good time watching you go
toe to toe with Arny. So far I'd say that you are doing an incredible
job, particularly when it comes to keeping a calm and level head. Arny
seems to get under people's skin rather quickly.

I don't know if any double blind test, no matter how well set up and
conducted, will make even the slightest difference since you are not
just battling people's use of subjective testing but also the very
livelihoods of many, many people. And once money is involved the truth,
objectivity and rationality always just seem to disappear, kind of the
way God responses to prayers.



Living Rm: Transporter-SimAudio pre/power amps-Vandersteen 3A Sign. &
sub
Home Theater: Touch-Marantz HTR-Energy Veritas 2.1 & Linn sub
Computer Rm: Touch-Headroom Desktop w/DAC-Aragon amp-Energy Veritas 2.1
& Energy sub
Bedroom: Touch-HR Desktop w/DAC-Audio Refinement amp-Energy Veritas 2.0
Guest Rm: Duet-Sony soundbar
Garage: SB3-JVC compact system
Controls: iPeng; SB Controller; Moose & Muso
Server: LMS 7.9 on dedicated windows 10 computer w/2 Drobos
'Last.fm' (http://www.last.fm/user/jazzfann/)
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Golden Earring
2017-05-03 08:07:57 UTC
Permalink
ralphpnj wrote:
> Hell no, we are all here and having a hellva a good time watching you go
> toe to toe with Arny. So far I'd say that you are doing an incredible
> job, particularly when it comes to keeping a calm and level head. Arny
> seems to get under people's skin rather quickly.
>
> I don't know if any double blind test, no matter how well set up and
> conducted, will make even the slightest difference since you are not
> just battling people's use of subjective testing but also the very
> livelihoods of many, many people. And once money is involved the truth,
> objectivity and rationality always just seem to disappear, kind of the
> way God responses to prayers.

Hi Ralph!

First of all thank you for your kind words.

It's very hard to get under the skin of a Brummie like myself with
working class origins, but I think credit should be paid to the great
British taxpayers who paid for an excellent education for me. My late
father's academic achievement was rather more impressive than mine,
since he obtained a scholarship to grammar school in the pre-WW2 era
when all such establishments were fee-paying (unless you won one of the
few scholarships) having only attended the village school in rural
Worcestershire with a single teacher up to the age of 11. Massive kudos
to the teacher, he must have been extraordinary. Dad went on to get a
degree in Electrical Engineering from Birmingham University after
completing his National Service. After he managed finally to get into
the RAF (by being slightly deceitful about his age), the Germans
realised that there was now no escape and promptly surrendered 6 weeks
later.

Unfortunately my father died of a long-standing & inoperable brain
tumour on my 17th birthday (which was certainly a big wake-up call for
me about the indifference of the universe to individual human beings) so
he didn't live long enough to witness my own success in getting into
Oxford which I think would have made him proud.

One of my Dad's favourite aphorisms was "Sticks & stones may break my
bones, but words can never hurt me" - I guess I took that on board.

In any event, if you are prepared at the outset to admit your own
fallibility it's hard to get emotionally involved in an exchange of
views. I'd be happy to learn something new if anyone can point out a
genuine error in my factual premises or my logical deductions. As for
opinions, well we all have them for better or worse: the only way to
make progress is to be able to demonstrate an inconsistency between two
simultaneously-held opinions. Otherwise we must be prepared to disagree
with one another to a greater or lesser extent. The world would be a
duller place if we all held exactly the same opinion! However, one must
accept the logical possibility that two people holding different views
can in fact both be incorrect.

To end on a musical motif, Leonard Cohen has a song on his debut album
entitled "One Of Us Cannot Be Wrong" which makes my final point
poetically by the sharp use of irony.

Glad you're enjoying the view!

Dave :)


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arnyk
2017-05-02 23:05:25 UTC
Permalink
Golden Earring wrote:
> I hope that you appreciate that you are now arguing with yourself. Why
> not listen to some music & chill out a bit?
>

Given the obvious fact that you are still responding to me with posts,
it is quite clear that you are incapable of understanding your own
actions.

Let me kindly recommend that you quit posting to this thread while you
are only this far behind.


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utgg
2017-02-09 08:00:05 UTC
Permalink
foxesden wrote:
> Any ideas why this might be? I had level matched before putting the
> thing in the chain and it must be 10 db louder - I mean it hurt.

Clutching at straws - something really bad was happening in the analogue
chain via the ground connection before the Intona thing isolated the
grounds. Something like one half of a differential connection somehow
'shorted' to ground somewhere...


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foxesden
2017-02-12 19:27:43 UTC
Permalink
I replaced the input USB cable for a generic beige printer cable and the
volume increase is gone, when I switch back the short Lindy USB cable
the Digital interface is no longer recognised by the Touch

I know the intona drops USB output from 500mv to 300mv and that may be
enough for the Digital Interface and its DSP to operate incorrectly, but
I am only guessing.

I have tried the same setup into a few other USB to SPDIF converters I
have and none exhibit the same issue. So time to put this one to bed.
Thanks for the input.


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doctor_big
2017-05-05 09:41:20 UTC
Permalink
@Golden Earring

Your writing style is a breath of fresh air. Good work.

Could you please post some rationalization regarding the Julius caesar
atoms /breath in & out scenario?

50% seems rather high.

Sent from my SM-N910W8 using Tapatalk




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Golden Earring
2017-05-05 13:40:44 UTC
Permalink
doctor_big wrote:
> @Golden Earring
>
> Your writing style is a breath of fresh air. Good work.
>
> Could you please post some rationalization regarding the Julius caesar
> atoms /breath in & out scenario?
>
> 50% seems rather high.

Hi doc!

I agree that it's counter-intuitive, but what it was designed by the
boffins at Oxford to highlight was that we have little real grasp of how
tiny atoms actually are: at our perceived scale everything appears solid
even though it's mostly empty space - including within the atoms
themselves. The calculation compares the number of atoms in a breath
with the ratio of the size (in terms of its atom content, in other
words, taking account of the rarification at higher altitudes) of the
entire atmosphere with that of one pair of lungs' full, assuming perfect
dispersion of the atoms from poor old Julius's final exhalation during
the quite long intervening period.

Please don't ask me to replicate the actual figures, I'm not as sharp as
I used to be: ask someone who's currently studying maths & physics to
fill in the blanks. The calculations were performed independently (&
checked several times because we were just as surprised as you are by
what popped out) by myself & 2 colleagues who had also done double maths
& physics A & S levels (the S levels were optional & seriously tough
back then); all 3 of us had to accept the unexpected result & all of us
subsequently got scholarships to Oxford (2 minor in Physics & 1 major in
Maths). My friend Paul got the 6th best First in Maths Finals in his
year. We were all in the groove back then, it was right at the end of
the state grammar school era. To be fair we had been crammed to death
from age 11, but did acquire a capacity for independent thinking as
well. My school was 40th in the country for Oxbridge entrance that year.
It had only been in existence for 20 years, so that was good going.
Immediately after I left it became an 11 - 16 comprehensive school: all
the teachers found alternative employment in public schools. End of an
era. Don't know what happened to the big board in the entrance hall with
all our names proudly stencilled on in gold letters.

62 now, it's all a bit of a blur, except the result of the calculation
which was surprising enough to be unforgettable...

Dave :)


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darrenyeats
2017-05-05 15:03:11 UTC
Permalink
Golden Earring wrote:
>
> Low Total Harmonic Distortion measurements are reassuring to a degree,
> but most people find odd harmonic artifacts much more objectionable than
> even harmonic ones (tube amplifier lovers seem to actually like a bit of
> even harmonic intrusion to give a euphoric rather than clinical insight
> into their recordings). I'm not advocating even harmonic distortion per
> se, I'm just saying that of two pieces of kit with similar THD
> measurements, the one with the higher odd harmonic components is likely
> to sound less musical unless the designer has managed to get the overall
> THD to a spectacularly low level.
Yeah, I generally seek kit with 2HD higher than 3HD. Yes even DACs (if
only because my OCD).
Golden Earring wrote:
>
> When I was a nipper, much stress was placed on the Damping Factor of an
> amplifier, which if I recall correctly was defined as the ratio between
> the (presumable relatively stable) output impedance of the power
> amplifier to the nominal (and often highly volatile) input impedance of
> the loudspeakers in use, which tended to be given as exactly 8 or 4 ohms
> somewhat oddly, given the variability of loudspeaker impedance with
> frequency. This measurement seems to have fallen out of favour, which is
> probably for the best. In the old days loudspeaker manufacturers would
> go to extraordinary lengths of driver combinations and elaborate
> (passive) crossover designs in order to get a relatively flat frequency
> response from their designs *-when measured in an anechoic chamber-*
> (charts of these frequency responses were freely published to sell the
> designs, little mention was made of THD statistics... ). Sadly few
> users had one of these chambers, so they ended up with a sound
> principally dictated by the size, shape & contents of their listening
> rooms, whilst also presenting their power amplifiers with difficult
> reactive loads and a loss of close control of the actual drivers
> themselves. It is hardly surprisingly that few of such legacy
> loudspeakers that have survived sound very musical when compared to a
> halfway decent modern loudspeaker.
> )
I'd say a "modern loudspeaker" is active! So a flat anechoic frequency
response (staying quite flat off axis up to at least 10kHz) is not a bad
thing these days - if it ever was, as you write! Having said that, we
could have a long conversation about what is a actually a desirable bass
roll off once we take into account room gain!
Golden Earring wrote:
>
> What I am saying is that a continuous & dynamic analogue signal, like
> er, "music" may be harder to successfully capture than many people
> assume. If all DAC's sound the same, then why should all the hardware in
> the Squeezebox family from the original Classic onwards not sound the
> same? If that were the case why have so many members of this forum
> acquired a Transporter or a Touch? Unless someone is going to say that
> poorly designed DAC's were put into the earlier models by Sean Adams who
> seems to me at least to have had a pretty good idea of what he was up to
> as far as design was concerned...
>
I don't think there are any issues with the numbers involved in digital
audio, in that a perfect ADC or DAC would do be very accurate using
extant rates and bit depths. However that's not to say there are no
issues.
http://forums.slimdevices.com/showthread.php?106979-Quick-question-about-DAC-quot-filters-quot&p=876695&viewfull=1#post876695
http://www.pinkfishmedia.net/forum/showthread.php?p=3040013#post3040013

Golden Earring wrote:
>
> I've put my firefighter's costume on in preparation, lol
>
A wise move. I shall do the same.



Check it, add to it! http://www.dr.loudness-war.info/

SB Touch
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Golden Earring
2017-05-05 16:25:04 UTC
Permalink
darrenyeats wrote:
> Yeah, I generally seek kit with 2HD higher than 3HD. Yes even DACs (if
> only down to OCD). I preferred the Sennheiser HD800S to HD800 -
> including the bass which I later found to have the same distortion
> levels as the HD800 except with added 2HD! "Exposed" 3HD (and the rest)
> just sounds unattractive to me.
>
> I'd say a "modern loudspeaker" is active! So a flat anechoic frequency
> response (staying quite flat off axis up to at least 10kHz) is not a bad
> thing these days - if it ever was, as you write! Having said that, we
> could have a long conversation about what is actually a desirable bass
> roll off once we take into account room gain!
>
> I don't think there are any issues with the numbers involved in digital
> audio, in that a perfect ADC or DAC would be very accurate using extant
> rates and bit depths. However that's not to say there are no issues.
> http://forums.slimdevices.com/showthread.php?106979-Quick-question-about-DAC-quot-filters-quot&p=876695&viewfull=1#post876695
> http://www.pinkfishmedia.net/forum/showthread.php?p=3040013#post3040013
>
>
> A wise move. I shall do the same.

Hi Darren!

I have recently bought myself a pair of these great headphones which
knock spots off my amplifier & loudspeaker set-up except with regard to
extreme bass (all open headphones inevitably have a limited bottom end)
& of course imaging issues since you're not hearing the recording in the
way it was monitored in the recording studio,
specifically that your left ear never gets anything from the right
channel & vice versa.

I imagine that Sennheiser added the 2HD to the bass to give some
enhancement, although it still sounds pretty tight to me (& unavoidably
rolled-off right at the bottom). The clarity in the rest of the
frequency range is breath-taking to me, & you can't get that with a
closed design.

Apparently the HD800 original model had an odd frequency peak at around
6000Hz which could emphasize sibilance: various DIY mods were suggested
to eliminate that although finally Sennheiser themselves appear to have
done the best job. My DAC will support balanced headphones, I'm waiting
for a couple of bits before I make a 2 x TRS jack plug to 4 pin female
XLR adaptor cable & then a 4 pin male XLR to 4 pin female XLR extension
cable because the supplied leads won't quite reach my sofa. Sennheiser
have confirmed to me that the unbalanced TRS jack plug terminated cable
is identical to the balanced cable internally: 2 pairs of twisted pairs
with an overall screen. The common ground is made at the jack plug end
by connecting 1 wire from each pair (+ the screen) to the sleeve. So I
will use the unbalanced cable to make the above. I'll leave the moulded
TRS plug (wired as explained above) & make a short 2nd adaptor using a 4
pin female XLR, so that I can use the whole thing with an unbalanced
single TRS headphone socket should I ever need to. Sennheiser charge
£250 for their balanced lead (which wasn't supplied with the HD800) &
Mytek $160 for their 2 TRS jack plug to 4 pin female XLR adaptor cable,
so I'm saving a few bob doing it this way, even using gold-plated
Neutrik connectors, and all the cabling will be exact match as a bonus.
Needed to get the enlarged tail for the XLR on the balanced feed adaptor
to get double cabling out of it, & will have extra internal wires so
will do star quad style connection not because it will make any
difference to the sound but will reinforce the construction - you see a
1/4" GPO style jack & you just want to yank it!

My point about the anechoic frequency response chart was really a
criticism of how the manufacturers used to achieve it to the detriment
of system performance in a real listening room, but I'm with you on
off-axis response. In fact I always sit slightly off axis because I have
my speakers across one corner (below the TV, with the electronics in the
"dead-zone" behind them) of my sub-optimal square room & it has a door
in the opposite corner. Fortunately my B&W 805S stand-mounts have a good
off-axis response. There's a 2nd 2-seat sofa in a symmetrical position
on the other side of the door for my occasional callers! Frankly, it's
not going to make much difference where you put your speakers in a
square room, you're going to get strong reinforcement from the room. At
least the TV is to the side of the window so I don't get reflections on
the screen in the day-time this way. It's on a double-arm wall bracket
so I can get it squarely (should that be triangularly?) across the
corner & pretend it's got a proper old-fashioned back on it!

Dave :)


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Golden Earring
2017-05-05 18:48:48 UTC
Permalink
doctor_big wrote:
> @Golden Earring
>
> Your writing style is a breath of fresh air. Good work.
>
> Could you please post some rationalization regarding the Julius caesar
> atoms /breath in & out scenario?
>
> 50% seems rather high.

Hi doc.

Just to make the result seem even more remarkable:

If you're prepared to accept my word that the answer is indeed 50%,
basic probability theory then implies that the chance of NOT catching
one of Julius's atoms in your next 7 breathes is (0.5)^7 which is 1/128.
In other words, if you stay alive long enough to take another 7 breaths,
the chance of getting one is in excess of 99%. It is truly
extraordinary.

The Oxford dons were always looking for more than book learning. Having
completed a Physics practical examination (which itself has a funny
story, but I digress) & then been offered a place at my first choice
college (Wadham), both Pembroke & Exeter Colleges decided that they were
light on suitable candidates & summoned me in for an interview, during a
brief trip to Oxford lasting about 3 days. I got totally mauled by the
Pembroke don who asked me about radioactive decay. I said it happened at
random, which is true. He then asked me the reason that it happened when
it did which totally floored me. He asked me how I pictured an atom so I
said there was a small solid nucleus in the middle, generally consisting
of a combination of neutrons & protons, with a swarm of electrons
buzzing around some considerable distance away, which was probably a
reasonable concept 50 years earlier (which was probably about the time
whoever taught my Physics master learned his stuff). It's pretty obvious
that this didn't give me a clue in terms of answering his previous
question. He gave me a succinct lecture on the idea of picturing the
nucleus as being *-liquid-*, thus allowing the possibility of certain
alignments promulgating the emission of an electron (that would be a
beta particle, then? Too late... ) & chucked me out. A friend of mine
subsequently attended Pembroke & studied Physics with the guy to
doctorate level: he said that he was ok, so I either caught him on a bad
day or just missed his pet subject. I got a much smoother ride at Exeter
College who effectively bought me off Wadham by offering me the Open
Exhibition. In fact £40 per 8 week term actually made a difference when
it came to settling up the College Bar bill from a state grant (no loans
in those days!), so I was quite happy. My headmaster had dictated the
codes & order of the colleges I should apply to when I was filling in
the Oxford application form, presumably based in some way on his
connections (he was a Merton College History graduate) so I didn't
really know what was going on... All's well that ends well, though.

Beware The Ides of March, thankfully gone for this year at least!

Dave :)


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